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Today's Stichomancy for Pamela Colman Smith

The first excerpt represents the past or something you must release, and is drawn from Dead Souls by Nikolai Vasilievich Gogol:

bones on the road, you cursed idiot? For these three weeks past you have been doing nothing at all; yet now, at the last moment, you come here stammering and playing the fool! Do you think I keep you just to eat and to drive yourself about? You must have known of this before? Did you, or did you not, know it? Answer me at once."

"Yes, I did know it," replied Selifan, hanging his head.

"Then why didn't you tell me about it?"

Selifan had no reply immediately ready, so continued to hang his head while quietly saying to himself: "See how well I have managed things! I knew what was the matter, yet I did not say."

"And now," continued Chichikov, "go you at once and fetch a


Dead Souls
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Democracy In America, Volume 1 by Alexis de Toqueville:

pitifully look down upon that heroic nation which is even now struggling as we did in the former time, and for the same rights which we defended with our blood. Thou, who didst create Man in the likeness of the same image, let not tyranny mar Thy work, and establish inequality upon the earth. Almighty God! do Thou watch over the destiny of the Poles, and render them worthy to be free. May Thy wisdom direct their councils, and may Thy strength sustain their arms! Shed forth Thy terror over their enemies, scatter the powers which take counsel against them; and vouchsafe that the injustice which the world has witnessed for fifty years, be not consummated in our time. O Lord, who holdest alike the

The third excerpt represents the future or something you must embrace, and is drawn from The Garden Party by Katherine Mansfield:

hadn't to die after all. Some one's hand pressed her waist, and she floated away like a flower that is tossed into a pool.

"Quite a good floor, isn't it?" drawled a faint voice close to her ear.

"I think it's most beautifully slippery," said Leila.

"Pardon!" The faint voice sounded surprised. Leila said it again. And there was a tiny pause before the voice echoed, "Oh, quite!" and she was swung round again.

He steered so beautifully. That was the great difference between dancing with girls and men, Leila decided. Girls banged into each other, and stamped on each other's feet; the girl who was gentleman always clutched you so.