| The first excerpt represents the past or something you must release, and is drawn from Charmides by Plato: That, Socrates, is certainly inconceivable.
You see then, Critias, that I was not far wrong in fearing that I could
have no sound notion about wisdom; I was quite right in depreciating
myself; for that which is admitted to be the best of all things would never
have seemed to us useless, if I had been good for anything at an enquiry.
But now I have been utterly defeated, and have failed to discover what that
is to which the imposer of names gave this name of temperance or wisdom.
And yet many more admissions were made by us than could be fairly granted;
for we admitted that there was a science of science, although the argument
said No, and protested against us; and we admitted further, that this
science knew the works of the other sciences (although this too was denied
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from She Stoops to Conquer by Oliver Goldsmith: TONY. But I tell you, miss, it's of all the consequence in the world.
I would not lose the rest of it for a guinea. Here, mother, do you
make it out. Of no consequence! (Giving MRS. HARDCASTLE the letter.)
MRS. HARDCASTLE. How's this?--(Reads.) "Dear 'Squire, I'm now
waiting for Miss Neville, with a post-chaise and pair, at the bottom of
the garden, but I find my horses yet unable to perform the journey. I
expect you'll assist us with a pair of fresh horses, as you promised.
Dispatch is necessary, as the HAG (ay, the hag), your mother, will
otherwise suspect us! Yours, Hastings." Grant me patience. I shall
run distracted! My rage chokes me.
MISS NEVILLE. I hope, madam, you'll suspend your resentment for a few
 She Stoops to Conquer |
The third excerpt represents the future or something you must embrace, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe: "Does Harry know mamma?" said Eliza, stretching her hands
toward him.
The child clung shyly to the woman.
"Come Eliza, why do you try to coax him, when you know that
he has got to be kept away from you?"
"I know it's foolish," said Eliza; "yet, I can't bear to have
him turn away from me. But come,--where's my cloak? Here,--how
is it men put on cloaks, George?"
"You must wear it so," said her husband, throwing it over
his shoulders.
"So, then," said Eliza, imitating the motion,--"and I must stamp,
 Uncle Tom's Cabin |