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Today's Stichomancy for Paul McCartney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Lover's Complaint by William Shakespeare:

All melting; though our drops this difference bore: His poison'd me, and mine did him restore.

'In him a plenitude of subtle matter, Applied to cautels, all strange forms receives, Of burning blushes or of weeping water, Or swooning paleness; and he takes and leaves, In either's aptness, as it best deceives, To blush at speeches rank, to weep at woes, Or to turn white and swoon at tragic shows;

'That not a heart which in his level came Could scape the hail of his all-hurting aim,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Danny's Own Story by Don Marquis:

little woman. And that other woman, he says, was plump too, fur he wouldn't never look at none but a plump woman.

"What did she weigh?" asts Watty's wife. He tells her a measly little three hundred pound.

"But she wasn't refined like my little woman," says Watty, "and when I seen that I passed her up." And inch by inch Watty coaxed her clean off of him.

But the next day she hearn him and Mrs. Ostrich giggling about something, and she has a reg'lar

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

an old man, a young girl, and a lover: Don Hijos, Paquita, De Marsay. If Laurent was the equal of Figaro, the duenna seemed incorruptible. Thus, the living play was supplied by Chance with a stronger plot than it had ever been by dramatic author! But then is not Chance too, a man of genius?

"It must be a cautious game," said Henri, to himself.

"Well," said Paul de Manerville, as he entered the room. "How are we getting on? I have come to breakfast with you."

"So be it," said Henri. "You won't be shocked if I make my toilette before you?"

"How absurd!"


The Girl with the Golden Eyes
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Father Sergius by Leo Tolstoy:

Sergius remembered having seen her very wretched. Then again he had seen her in the monastery when she was a widow. She had been still the same, not exactly stupid, but insipid, insignificant, and pitiable. She had come with her daughter and her daughter's fiance. They were already poor at that time and later on he had heard that she was living in a small provincial town and was very poor.

'Why am I thinking about her?' he asked himself, but he could not cease doing so. 'Where is she? How is she getting on? Is she still as unhappy as she was then when she had to show us how to swim on the floor? But why should I think about her? What am I