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Today's Stichomancy for Paul Newman

The first excerpt represents the past or something you must release, and is drawn from Daisy Miller by Henry James:

was the longest evening she had ever passed.

"Have you been all alone?" he asked.

"I have been walking round with mother. But mother gets tired walking round," she answered.

"Has she gone to bed?"

"No; she doesn't like to go to bed," said the young girl. "She doesn't sleep--not three hours. She says she doesn't know how she lives. She's dreadfully nervous. I guess she sleeps more than she thinks. She's gone somewhere after Randolph; she wants to try to get him to go to bed. He doesn't like to go to bed."

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Contrast by Royall Tyler:

occasion of all this racket?

MANLY

That gentleman can explain it to you; it will be a very diverting story for an intended father-in-law to hear.

VAN ROUGH

How was this matter, Mr. Van Dumpling?

DIMPLE

Sir,--upon my honour,--all I know is, that I was talking to this young lady, and this gentleman broke in on us in a very extraordinary manner.

The third excerpt represents the future or something you must embrace, and is drawn from The Crisis in Russia by Arthur Ransome:

followed the Communists would be faced by the same economic problem, and would have to choose between imposing measures very like those of the Communists and allowing Russia to subside into a new area for colonization. There are people who look upon this as a natural, even a desirable, result of the revolution. They forget that the Russians have never been a subject race, that they have immense powers of passive resistance, that they respond very readily to any idea that they understand, and that the idea of revolt against foreigners is difficult not to understand. Any country that takes advantage of the