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Today's Stichomancy for Paul Newman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Frankenstein by Mary Shelley:

been irksome and almost intolerable. To examine the causes of life, we must first have recourse to death. I became acquainted with the science of anatomy, but this was not sufficient; I must also observe the natural decay and corruption of the human body. In my education my father had taken the greatest precautions that my mind should be impressed with no supernatural horrors. I do not ever remember to have trembled at a tale of superstition or to have feared the apparition of a spirit. Darkness had no effect upon my fancy, and a churchyard was to me merely the receptacle of bodies deprived of life, which, from being the seat of beauty and strength, had become food for the worm. Now I was led to examine the cause


Frankenstein
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The House of Dust by Conrad Aiken:

You must have heard that Paul was dead, by this time-- Of spinal cancer. Nothing could be done-- We found it out too late. His death has changed me, Deflected much of me that lived as he lived, Saddened me, slowed me down. Such things will happen, Life is composed of them; and it seems wisdom To see them clearly, meditate upon them, And understand what things flow out of them. Otherwise, all goes on here much as always. Why won't you come and see us, in the spring, And bring old times with you?--If you could see me

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

from the peasantry. The measure of their sense is this: that these symposia of rustic vanity were kept entirely within the family, like some secret ancestral practice. To the world their serious faces were never deformed by the suspicion of any simper of self-contentment. Yet it was known. "They hae a guid pride o' themsel's!" was the word in the country-side.

Lastly, in a Border story, there should be added their "two-names." Hob was The Laird. "Roy ne puis, prince ne daigne"; he was the laird of Cauldstaneslap - say fifty acres - IPSISSIMUS. Clement was Mr. Elliott, as upon his door-plate, the earlier Dafty having been discarded as no longer applicable, and indeed only a reminder of misjudgment and the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lone Star Ranger by Zane Grey:

killing. Duane divined that no sudden animosity was driving Bosomer. It was just his chance. In that moment murder would have been joy to him. Very likely he had forgotten his pretext for a quarrel. Very probably his faculties were absorbed in conjecture as to Duane's possibilities.

But he did not speak a word. He remained motionless for a long moment, his eyes pale and steady, his right hand like a claw.

That instant gave Duane a power to read in his enemy's eyes the thought that preceded action. But Duane did not want to kill another man. Still he would have to fight, and he decided to cripple Bosomer. When Bosomer's hand moved Duane's gun was


The Lone Star Ranger