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Today's Stichomancy for Penelope Cruz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bunner Sisters by Edith Wharton:

ticket back to New York, and he took a good look at me and said, well, if that was what I wanted he'd go straight to the station with me and give me the five dollars there. So he did--and he bought the ticket, and put me in the cars."

Evelina sank back, her face a sallow wedge in the white cleft of the pillow. Ann Eliza leaned over her, and for a long time they held each other without speaking.

They were still clasped in this dumb embrace when there was a step in the shop and Ann Eliza, starting up, saw Miss Mellins in the doorway.

"My sakes, Miss Bunner! What in the land are you doing? Miss

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mistress Wilding by Rafael Sabatini:

and of the inspiration that had come to him on the morrow to make use of the letter in his boot which Sunderland had given him for Monmouth in the hour of panic. Monmouth's cavalier treatment of him when he had arrived in Bridgwater had precluded his delivering that letter at the council. There was never another opportunity, nor did he again think of the package in the stressful hours that followed. It was not until the following morning that he suddenly remembered it lay undelivered, and bethought him that it might prove a weapon to win him delivery from the dangers that encompassed him.

"It was a slender chance," he told her, "but I employed it. I waited in London, in hiding, close upon a fortnight ere I had an opportunity of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Babbitt by Sinclair Lewis:

or the drained stupidity of Mrs. Overbrook, with her spectacles, drab skin, and tight-drawn hair. He told his best Irish story, but it sank like soggy cake. Most bleary moment of all was when Mrs. Overbrook, peering out of her fog of nursing eight children and cooking and scrubbing, tried to be conversational.

"I suppose you go to Chicago and New York right along, Mr. Babbitt," she prodded.

"Well, I get to Chicago fairly often."

"It must be awfully interesting. I suppose you take in all the theaters."

"Well, to tell the truth, Mrs. Overbrook, thing that hits me best is a great big beefsteak at a Dutch restaurant in the Loop!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Unseen World and Other Essays by John Fiske:

to the purposes of the descriptive historian so well as the sixteenth. While on the one hand the problems which it presents are sufficiently near for us to understand them without too great an effort of the imagination, on the other hand they are sufficiently remote for us to study them without passionate and warping prejudice. The contest between Catholicism and the reformed religion--between ecclesiastical autocracy and the right of private investigation--has become a thing of the past, and constitutes a closed chapter in human history. The epoch which begins where Mr. Motley's history is designed to close--at the peace of Westphalia--is far more complicated. Since the middle of


The Unseen World and Other Essays