| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fairy Tales by Hans Christian Andersen: feeling and the thought till they can be embodied by means of words; a faculty
which the others do not possess. But the transition from a commonplace nature
to one that is richly endowed, demands always a more or less breakneck leap
over a certain abyss which yawns threateningly below; and thus must the sudden
change with the clerk strike the reader.
"The sweet air!" continued he of the police-office, in his dreamy imaginings;
"how it reminds me of the violets in the garden of my aunt Magdalena! Yes,
then I was a little wild boy, who did not go to school very regularly. O
heavens! 'tis a long time since I have thought on those times. The good old
soul! She lived behind the Exchange. She always had a few twigs or green
shoots in water--let the winter rage without as it might. The violets exhaled
 Fairy Tales |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Message by Honore de Balzac: things slip past unheeded--there you have the man!
But the Countess! Ah, how sharp and startling the contrast
between husband and wife! The Countess was a little woman, with a
flat, graceful figure and enchanting shape; so fragile, so dainty
was she, that you would have feared to break some bone if you so
much as touched her. She wore a white muslin dress, a rose-
colored sash, and rose-colored ribbons in the pretty cap on her
head; her chemisette was moulded so deliciously by her shoulders
and the loveliest rounded contours, that the sight of her
awakened an irresistible desire of possession in the depths of
the heart. Her eyes were bright and dark and expressive, her
|