| The first excerpt represents the past or something you must release, and is drawn from Allan Quatermain by H. Rider Haggard: of slaughter. So we let the great beasts be, only shooting one
or two in self-protection. In this district, the elephants,
being unacquainted with the hunter and his tender mercies, would
allow one to walk up to within twenty yards of them in the open,
while they stood, with their great ears cocked for all the world
like puzzled and gigantic puppy-dogs, and stared at that new
and extraordinary phenomenon -- man. Occasionally, when the
inspection did not prove satisfactory, the staring ended in a
trumpet and a charge, but this did not often happen. When it
did we had to use our rifles. Nor were elephants the only wild
beasts in the great Elgumi forest. All sorts of large game abounded,
 Allan Quatermain |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The New Machiavelli by H. G. Wells: The New Year and Birthday honours lists are always very sagely and
exhaustively considered, and anecdotes are popular and keenly
judged. They do not talk of the things that are really active in
their minds, but in the formal and habitual manner they suppose to
be proper to intelligent but still honourable men. Socialism,
individual money matters, and religion are forbidden topics, and sex
and women only in so far as they appear in the law courts. It is to
me the strangest of conventions, this assumption of unreal loyalties
and traditional respects, this repudiation and concealment of
passionate interests. It is like wearing gloves in summer fields,
or bathing in a gown, or falling in love with the heroine of a
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The third excerpt represents the future or something you must embrace, and is drawn from Fairy Tales by Hans Christian Andersen: Nanny," as it had been told him when a boy. And it seemed to both of them it
contained much that resembled their own history; and those parts that were
like it pleased them best.
"Thus it is," said the little maiden in the tree, "some call me 'Old Nanny,'
others a 'Dryad,' but, in reality, my name is 'Remembrance'; 'tis I who sit in
the tree that grows and grows! I can remember; I can tell things! Let me see
if you have my flower still?"
And the old man opened his Prayer-Book. There lay the Elder-blossom, as fresh
as if it had been placed there but a short time before; and Remembrance
nodded, and the old people, decked with crowns of gold, sat in the flush of
the evening sun. They closed their eyes, and--and--! Yes, that's the end of
 Fairy Tales |