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Today's Stichomancy for Peter O'Toole

The first excerpt represents the past or something you must release, and is drawn from Before Adam by Jack London:

Fire-Men were gone. We made a circle through the forest to make sure, and then we ran to the fire. I wanted to see what it was like, and between thumb and finger I picked up a glowing coal. My cry of pain and fear, as I dropped it, stampeded Lop-Ear into the trees, and his flight frightened me after him.

The next time we came back more cautiously, and we avoided the glowing coals. We fell to imitating the Fire-Men. We squatted down by the fire, and with heads bent forward on our knees, made believe to sleep. Then we mimicked their speech, talking to each other in

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

anime non redimunt eam gratuita charitate?

10. [85] Item. Cur Canones penitentiales re ipsa et non usu iam diu in semet abrogati et mortui adhuc tamen pecuniis redimuntur per concessionem indulgentiarum tanquam vivacissimi?

11. [86] Item. Cur Papa, cuius opes hodie sunt opulentissimis Crassis crassiores, non de suis pecuniis magis quam pauperum fidelium struit unam tantummodo Basilicam sancti Petri?

12. [87] Item. Quid remittit aut participat Papa iis, qui per contritionem perfectam ius habent plenarie remissionis et participationis?

13. [88] Item. Quid adderetur ecclesie boni maioris, Si Papa,

The third excerpt represents the future or something you must embrace, and is drawn from The Ball at Sceaux by Honore de Balzac:

sun and its gorgeous coloring. They gathered daisies to pull the petals off, and sang the most impassioned duets, using the notes set down by Pergolesi or Rossini as faithful interpreters to express their secrets.

The day of the dance came. Clara Longueville and her brother, whom the servants persisted in honoring with the noble DE, were the principle guests. For the first time in her life Mademoiselle de Fontaine felt pleasure in a young girl's triumph. She lavished on Clara in all sincerity the gracious petting and little attentions which women generally give each other only to excite the jealousy of men. Emilie, had, indeed, an object in view; she wanted to discover some secrets.