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Today's Stichomancy for Phil Mickelson

The first excerpt represents the past or something you must release, and is drawn from The Jolly Corner by Henry James:

and really "go into" figures.

It amused, it verily quite charmed him; and, by the same stroke, it amused, and even more, Alice Staverton, though perhaps charming her perceptibly less. She wasn't, however, going to be better-off for it, as HE was - and so astonishingly much: nothing was now likely, he knew, ever to make her better-off than she found herself, in the afternoon of life, as the delicately frugal possessor and tenant of the small house in Irving Place to which she had subtly managed to cling through her almost unbroken New York career. If he knew the way to it now better than to any other address among the dreadful multiplied numberings which seemed to him to reduce the whole place

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tom Sawyer Abroad by Mark Twain:

drink, we was more than thirty-five times as thirsty as we was a quarter of a minute before. Why, in a little while we wanted to hold our mouths open and pant like a dog.

Tom said to keep a sharp lookout, all around, every- wheres, because we'd got to find an oasis or there warn't no telling what would happen. So we done it. We kept the glasses gliding around all the time, till our arms got so tired we couldn't hold them any more. Two hours -- three hours -- just gazing and gazing, and nothing but sand, sand, SAND, and you could see

The third excerpt represents the future or something you must embrace, and is drawn from The Blue Flower by Henry van Dyke:

the same guardian stars. They are conscious together of the subduing spell of nightfall and the quickening joy of daybreak. The master shares his evening meal with his hungry companion, and feels the soft, moist lips caressing the palm of his hand as they close over the morsel of bread. In the gray dawn he is roused from his bivouac by the gentle stir of a warm, sweet breath over his sleeping face, and looks up into the eyes of his faithful fellow-traveller, ready and waiting for the toil of the day. Surely, unless he is a pagan and an unbeliever, by whatever name he calls upon his God, he will thank Him for this voiceless sympathy, this dumb affection,