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Today's Stichomancy for Philip K. Dick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays of Travel by Robert Louis Stevenson:

and there is nothing to trouble or dislocate the strong continuousness of the main line of the road. And yet there is something wanting. There is here no saving imperfection, none of those secondary curves and little trepidations of direction that carry, in natural roads, our curiosity actively along with them. One feels at once that this road has not has been laboriously grown like a natural road, but made to pattern; and that, while a model may be academically correct in outline, it will always be inanimate and cold. The traveller is also aware of a sympathy of mood between himself and the road he travels. We have all seen ways that have wandered into heavy sand near the sea-coast, and trail wearily over

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ivanhoe by Walter Scott:

``I know it not,'' said Isaac; ``our last letters from our brethren at Paris advised us that he was at that city, beseeching Philip for aid against the Sultan Saladine.''

``He hath since come to England, unexpected by his brethren,'' said Ben Israel; ``and he cometh among them with a strong and outstretched arm to correct and to punish. His countenance is kindled in anger against those who have departed from the vow which they have made, and great is the fear of those sons of Belial. Thou must have heard of


Ivanhoe
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Hidden Masterpiece by Honore de Balzac:

walking to and fro for some time with the hesitation of a lover who fears to approach his mistress, however complying she may be, he ended by crossing the threshold and asking if Maitre Francois Porbus were within. At the affirmative answer of an old woman who was sweeping out one of the lower rooms the young man slowly mounted the stairway, stopping from time to time and hesitating, like a newly fledged courier doubtful as to what sort of reception the king might grant him.

When he reached the upper landing of the spiral ascent, he paused a moment before laying hold of a grotesque knocker which ornamented the door of the atelier where the famous painter of Henry IV.--neglected

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chronicles of the Canongate by Walter Scott:

with assumed composure. "I have seen my husband's death--my eyelids shall not grieve to look on the fall of my son. But MacTavish Mhor died as became the brave, with his good sword in his right hand; my son will perish like the bullock that is driven to the shambles by the Saxon owner who had bought him for a price."

"Mother," said the unhappy young man, "you have taken my life. To that you have a right, for you gave it; but touch not my honour! It came to me from a brave train of ancestors, and should be sullied neither by man's deed nor woman's speech. What I shall do, perhaps I myself yet know not; but tempt me no