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Today's Stichomancy for Philip K. Dick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tom Sawyer Abroad by Mark Twain:

you could make them out with the glass while they was still so far away you couldn't see them with your naked eye. Tom said the birds didn't find out the meat was there by the smell; they had to find it out by seeing it. Oh, but ain't that an eye for you! Tom said at the distance of five mile a patch of dead lions couldn't look any bigger than a person's finger-nail, and he couldn't imagine how the birds could notice such a little thing so far off.

It was strange and unnatural to see lion eat lion, and we thought maybe they warn't kin. But Jim said

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Second Jungle Book by Rudyard Kipling:

"Oh!" said Mowgli to himself, rolling over in the water. "NOW I see why it was Shere Khan bade me look at him! He got no good of it, for he could not hold his eyes steady, and--and I certainly did not fall down at his feet. But then I am not a man, being of the Free People."

"Umm!" said Bagheera deep in his furry throat. "Does the Tiger know his Night?"

"Never till the Jackal of the Moon stands clear of the evening mist. Sometimes it falls in the dry summer and sometimes in the wet rains--this one Night of the Tiger. But for the First of the Tigers, this would never have been, nor would any of us


The Second Jungle Book
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

with ivy and studded with wall-flowers. No one would have thought in looking at this old, weather-beaten, floral-decked tower (which might be likened to an elderly dame dressed up to receive her grandchildren at a birthday feast) that it would have been capable of telling strange things, if, -- in addition to the menacing ears which the proverb says all walls are provided with, -- it had also a voice. The garden was crossed by a path of red gravel, edged by a border of thick box, of many years' growth, and of a tone and color that would have delighted the heart of Delacroix, our modern Rubens. This path was formed in the


The Count of Monte Cristo
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Light of Western Stars by Zane Grey:

gone West to cast his fortune with the cattlemen. As it happened, she had friends who were on the eve of starting for California, and she made a quick decision to travel with them. When she calmly announced her intention of going out West her mother had exclaimed in consternation; and her father, surprised into pathetic memory of the black sheep of the family, had stared at her with glistening eyes. "Why, Madeline! You want to see that wild boy!" Then he had reverted to the anger he still felt for his wayward son, and he had forbidden Madeline to go. Her mother forgot her haughty poise and dignity. Madeline, however, had exhibited a will she had never before been known to possess.


The Light of Western Stars