| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Marriage Contract by Honore de Balzac: both of you. I find myself obliged to sell my pearl necklace and my
earrings. Yes, Paul, it is necessary; I do not choose to put a penny
of my fortune into an annuity; I know what I owe to you. Well, I admit
a weakness; to sell the 'Discreto' seems to me a disaster. To sell a
diamond which bears the name of Philip the Second and once adorned his
royal hand, an historic stone which the Duke of Alba touched for ten
years in the hilt of his sword--no, no, I cannot! Elie Magus estimates
my necklace and ear-rings at a hundred and some odd thousand francs
without the clasps. Will you exchange the other jewels I made over to
you for these? you will gain by the transaction, but what of that? I
am not selfish. Instead of those mere fancy jewels, Paul, your wife
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Les Miserables by Victor Hugo: It's not the dying so much; you die, for one must die, and that's
all right; it's the abomination of feeling those people touch you.
And then, their knives; they can't be able to cut well with them!
Ah, good gracious!"
"Be quiet," said Cosette. "Fasten everything thoroughly."
Cosette, terrified by the melodrama improvised by Toussaint,
and possibly, also, by the recollection of the apparitions of the
past week, which recurred to her memory, dared not even say to her:
"Go and look at the stone which has been placed on the bench!"
for fear of opening the garden gate and allowing "the men" to enter.
She saw that all the doors and windows were carefully fastened,
 Les Miserables |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Iliad by Homer: myself, should have had the comfort of weeping and mourning over
him."
Thus did he speak with many tears, and all the people of the city
joined in his lament. Hecuba then raised the cry of wailing among
the Trojans. "Alas, my son," she cried, "what have I left to live
for now that you are no more? Night and day did I glory in you
throughout the city, for you were a tower of strength to all in
Troy, and both men and women alike hailed you as a god. So long
as you lived you were their pride, but now death and destruction
have fallen upon you."
Hector's wife had as yet heard nothing, for no one had come to
 The Iliad |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Manon Lescaut by Abbe Prevost: But hearing the door of the ante-chamber open, she grasped with
one hand my locks, which were floating over my shoulders, while
she took her toilette mirror in the other, and with all her
strength led me in this manner to the door of the boudoir, which
she opened with her knee, and presented to the foreigner, who had
been prevented by the noise he heard inside from advancing beyond
the middle of the ante-chamber, a spectacle that must have indeed
amazed him. I saw a man extremely well dressed, but with a
particularly ill-favoured countenance.
"Notwithstanding his embarrassment, he made her a profound bow.
Manon gave him no time for speech-making; she held up the mirror
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