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Today's Stichomancy for Pol Pot

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Men of Iron by Howard Pyle:

King, and hath so arranged it that the Earl of Alban is to be there as well. We all go straightway; so get thyself ready as soon as may be."

Perhaps Myles's heart began beating more quickly within him at the nearness of that great happening which he had looked forward to for so long. If it did, he made no sign of his emotion, but only asked, "How must I clothe myself, your Highness?"

"Wear thy light armor," said the Prince, "but no helmet, a juppon bearing the arms and colors that the Earl gave thee when thou wert knighted, and carry thy right-hand gauntlet under thy belt for thy challenge. Now make haste, for time passes."


Men of Iron
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

On this occasion I am speaking of, old Nelson was even fretty; for while I was trying to entertain him with a very funny and somewhat scandalous adventure which happened to a certain acquaintance of ours in Saigon, he exclaimed suddenly:

"What the devil he wants to turn up here for!"

Clearly he had not heard a word of the anecdote. And this annoyed me, because the anecdote was really good. I stared at him.

"Come, come!" I cried. "Don't you know what Jasper Allen is turning up here for?"

This was the first open allusion I had ever made to the true state of affairs between Jasper and his daughter. He took it very


'Twixt Land & Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cousin Pons by Honore de Balzac:

and naturally he had come at last to be accounted less than nothing with them, though he was not altogether despised.

He had suffered acutely among them, but, like all timid creatures, he kept silence as to his pain; and so by degrees schooled himself to hide his feelings, and learned to take sanctuary in his inmost self. Many superficial persons interpret this conduct by the short word "selfishness;" and, indeed, the resemblance between the egoist and the solitary human creature is strong enough to seem to justify the harsher verdict; and this is especially true in Paris, where nobody observes others closely, where all things pass swift as waves, and last as little as a Ministry.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

really the malignant reproach that Epicurus cast upon Plato: he was annoyed by the grandiose manner, the mise en scene style of which Plato and his scholars were masters--of which Epicurus was not a master! He, the old school-teacher of Samos, who sat concealed in his little garden at Athens, and wrote three hundred books, perhaps out of rage and ambitious envy of Plato, who knows! Greece took a hundred years to find out who the garden-god Epicurus really was. Did she ever find out?

8. There is a point in every philosophy at which the "conviction" of the philosopher appears on the scene; or, to put it in the words of an ancient mystery:


Beyond Good and Evil