Today's Stichomancy for Pol Pot
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Robinson Crusoe by Daniel Defoe: after, when we were entered upon a desert of about fifteen or
sixteen miles over, we knew by a cloud of dust they raised, that
the enemy was at hand, and presently they came on upon the spur.
Our Chinese guards in the front, who had talked so big the day
before, began to stagger; and the soldiers frequently looked behind
them, a certain sign in a soldier that he is just ready to run
away. My old pilot was of my mind; and being near me, called out,
"Seignior Inglese, these fellows must be encouraged, or they will
ruin us all; for if the Tartars come on they will never stand it."
- "If am of your mind," said I; "but what must be done?" - "Done?"
says he, "let fifty of our men advance, and flank them on each
 Robinson Crusoe |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Large Catechism by Dr. Martin Luther: although He abundantly grants and preserves these things even to the
wicked and knaves, yet He wishes that we pray for them, in order that
we may recognize that we receive them from His hand, and may feel His
paternal goodness toward us therein. For when He withdraws His hand,
nothing can prosper nor be maintained in the end, as, indeed, we daily
see and experience. How much trouble there is now in the world only on
account of bad coin, yea, on account of daily oppression and raising of
prices in common trade, bargaining and labor on the part of those who
wantonly oppress the poor and deprive them of their daily bread! This
we must suffer indeed; but let them take care that they do not lose the
common intercession, and beware lest this petition in the Lord's Prayer
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from When a Man Marries by Mary Roberts Rinehart: whatever it was, it was over, and nobody was killed.
The sounds came closer, were coming up the stairs and into the
pantry. Then the door swung open, and Tom and a policeman
appeared in the doorway, with the others crowding behind. Between
them they supported a grimy, unshaven object, covered with
whitewash from the wall of the shaft, an object that had its
hands fastened together with handcuffs, and that leered at us
with a pair of the most villainously crossed eyes I have ever
seen.
None of us had ever seen him before,
"Mr. Lawrence McGuirk, better known as Tubby,'" Tom said
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Snow Image by Nathaniel Hawthorne: streets, which crossed each other, and meandered at no great
distance from the water-side. The smell of tar was obvious to his
nostrils, the masts of vessels pierced the moonlight above the
tops of the buildings, and the numerous signs, which Robin paused
to read, informed him that he was near the centre of business.
But the streets were empty, the shops were closed, and lights
were visible only in the second stories of a few dwelling-houses.
At length, on the corner of a narrow lane, through which he was
passing, he beheld the broad countenance of a British hero
swinging before the door of an inn, whence proceeded the voices
of many guests. The casement of one of the lower windows was
 The Snow Image |
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