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Today's Stichomancy for Rebecca Gayheart

The first excerpt represents the past or something you must release, and is drawn from The Smalcald Articles by Dr. Martin Luther:

repenting of and striving with it, happen to fall into manifest sins, as David into adultery, murder, and blasphemy, that then faith and the Holy Ghost has departed from them [they cast out faith and the Holy Ghost]. For the Holy Ghost does not permit sin to have dominion, to gain the upper hand so as to be accomplished, but represses and restrains it so that it must not do what it wishes. But if it does what it wishes, the Holy Ghost and faith are [certainly] not present. For St. John says, 1 Ep. 3, 9: Whosoever is born of God doth not commit sin,... and he cannot sin. And yet it is also the truth when the same St. John says, 1 Ep. 1, 8: If we say that

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs:

His active mind was never idle, but because his jungle mates could neither follow nor grasp the vivid train of imag- inings that his man-mind wrought, he had long since learned to keep them to himself; and so now he found no need for confiding them in others. This fact, linked with that of his dislike for the girl, was sufficient to seal his lips for other than necessary conversation, and so they worked on together in comparative silence. Bertha Kircher, however, was nothing if not feminine and she soon found that having someone to talk to who would not talk was extremely irksome. Her fear of


Tarzan the Untamed
The third excerpt represents the future or something you must embrace, and is drawn from Options by O. Henry:

of hot coffee in his hands.

"Where's Ileen?" we asked, in recitative.

Pa Hinkle was a kindly man. "Well, gents," said he, "it was a sudden notion she took; but I've got the money, and I let her have her way. She's gone to a corn--a conservatory in Boston for four years for to have her voice cultivated. Now, excuse me to pass, gents, for this coffee's hot, and my thumbs is tender."

That night there were four instead of three of us sitting on the station platform and swinging our feet. C. Vincent Vesey was one of us. We discussed things while dogs barked at the moon that rose, as big as a five-cent piece or a flour barrel, over the chaparral.


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