Today's Stichomancy for Rebecca Romijn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moon-Face and Other Stories by Jack London:

other's body. The smoke in the hole was clearing. The stranger, lying on his back, was beginning to see dimly. But suddenly he was blinded by a handful of dirt deliberately flung into his eyes by his antagonist. In that moment of shock his grip on the revolver was broken. In the next moment he felt a smashing darkness descend upon his brain, and in the midst of the darkness even the darkness ceased.

But the pocket-miner fired again and again, until the revolver was empty. Then he tossed it from him and, breathing heavily, sat down on the dead man's legs.

The miner was sobbing and struggling for breath. "Measly skunk!" he panted; "a-campin' on my trail an' lettin' me do the work, an' then shootin' me in the back!"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

when angry or frightened. Every one must have seen two cocks, even quite young birds, preparing to fight with erected neck-hackles; nor can these feathers when erected serve as a means of defence, for cock-fighters have found by experience that it is advantageous to trim them. The male Ruff (_Machetes pugnax_) likewise erects its collar of feathers when fighting. When a dog approaches a common hen with her chickens, she spreads out her wings, raises her tail, ruffles all her feathers, and looking as ferocious as possible, dashes at the intruder. The tail is not always held in exactly the same position; it is sometimes so much erected, that the central feathers, as in

Expression of Emotion in Man and Animals

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

an hour the whole club will have it--every American in Vienna will know about it in a day or so. I tell you, Byrne, you're doing an awful thing."

Peter drew a long breath. He had had his bad half-hour before McLean came; had had to stand by, wordless, and see Harmony trying to smile, see her dragging about, languid and white, see her tragic attempts to greet him on the old familiar footing. Through it all he had been sustained by the thought that a day or two days would see the old footing reestablished, another woman in the house, life again worth the living and Harmony smiling up frankly into his eyes. Now this hope had departed.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac:

his hoards; but the bitter smile on Louis's withered lips determined him. Nevertheless he hurried back, followed by the old woman.

"Have you any flour?" demanded the king.

"Oh yes; we have laid in our stock for the winter," she answered.

"Well, go and fetch some," said the king.

"What do you want to do with our flour, sire?" she cried, not the least impressed by his royal majesty.

"Old fool!" said Cornelius, "go and execute the orders of our gracious master. Shall the king lack flour?"

"Our good flour!" she grumbled, as she went downstairs. "Ah! my flour!"