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Today's Stichomancy for Rene Magritte

The first excerpt represents the past or something you must release, and is drawn from Little Britain by Washington Irving:

generation to generation as heirlooms. He is a dapper little fellow, with bandy legs and pot belly, a red face, with a moist, merry eye, and a little shock of gray hair behind. At the opening of every club night he is called in to sing his "Confession of Faith," which is the famous old drinking trowl from "Gammer Gurton's Needle." He sings it, to be sure, with many variations, as he received it from his father's lips; for it has been a standing favorite at the Half-Moon and Bunch of Grapes ever since it was written; nay, he affirms that his predecessors have often had the honor of singing it before the nobility and gentry at Christmas mummeries, when Little

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Koran:

knowledge of, then obey them not; to me is your return, and I will inform you of that which ye have done.

But those who believe and do right, we will make them enter amongst the righteous.

And there are those among men who say, 'We believe in God!' but when they are hurt in God's cause, they deem the trials of men like the torment of God; but if help come from thy Lord they will say, 'Verily, we were with you!' does not God know best what is in the breasts of the worlds? God will surely know those who believe, and will surely know the hypocrites.

And those who misbelieved said to those who believed, 'Follow our


The Koran
The third excerpt represents the future or something you must embrace, and is drawn from Menexenus by Plato:

importance. Those writings which he cites without mentioning Plato, under their own names, e.g. the Hippias, the Funeral Oration, the Phaedo, etc., have an inferior degree of evidence in their favour. They may have been supposed by him to be the writings of another, although in the case of really great works, e.g. the Phaedo, this is not credible; those again which are quoted but not named, are still more defective in their external credentials. There may be also a possibility that Aristotle was mistaken, or may have confused the master and his scholars in the case of a short writing; but this is inconceivable about a more important work, e.g. the Laws, especially when we remember that he was living at Athens, and a frequenter of the groves of the Academy, during the last twenty years of