| The first excerpt represents the past or something you must release, and is drawn from Emma by Jane Austen: was professing himself her lover. She tried to stop him; but vainly;
he would go on, and say it all. Angry as she was, the thought of
the moment made her resolve to restrain herself when she did speak.
She felt that half this folly must be drunkenness, and therefore
could hope that it might belong only to the passing hour.
Accordingly, with a mixture of the serious and the playful, which she
hoped would best suit his half and half state, she replied,
"I am very much astonished, Mr. Elton. This to me! you forget yourself--
you take me for my friend--any message to Miss Smith I shall
be happy to deliver; but no more of this to me, if you please."
"Miss Smith!--message to Miss Smith!--What could she possibly mean!"--
 Emma |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from I Have A Dream by Martin Luther King, Jr.: of despair a stone of hope. With this faith we will be able to
transform the jangling discords of our nation into a beautiful
symphony of brotherhood. With this faith we will be able to work
together, to pray together, to struggle together, to go to jail
together, to stand up for freedom together, knowing that we will
be free one day.
This will be the day when all of God's children will be able to
sing with a new meaning, "My country, 'tis of thee, sweet land of
liberty, of thee I sing. Land where my fathers died, land of the
pilgrim's pride, from every mountainside, let freedom ring."
And if America is to be a great nation this must become true. So
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The third excerpt represents the future or something you must embrace, and is drawn from The Red Seal by Natalie Sumner Lincoln: looked into a well formed by the wings of the apartment house, and
had a sheer drop of fifty feet to the ground below.
But for his unfortunate luck in backing the man against the bedroom
door instead of the wall he would not have escaped, but how had the
man realized so instantly that he was against a door in the pitch
darkness? It certainly showed familiarity with his surroundings.
Kent sat upright as an idea flashed through his brain - was the man
Philip Rochester?
Kent scouted the idea but it persisted. Suppose it had been Philip
Rochester awakened from a drunken slumber by his entrance in the dark;
if so, nothing more likely than that he had mistaken him, Kent, for
 The Red Seal |