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Today's Stichomancy for Richard Branson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Glinda of Oz by L. Frank Baum:

us."

"And they did it, too," said Dorothy. "I wonder who it was."

"It's a spider-web, I'm quite sure," returned Ozma, "but it must be the work of enormous spiders."

"Quite right!" cried a voice behind them. Turning quickly around they beheld a huge purple spider sitting not two yards away and regarding them with its small bright eyes.

Then there crawled from the bushes a dozen more great purple spiders, which saluted the first one and said:


Glinda of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Profits of Religion by Upton Sinclair:

of belief, such as the poverty of Christ; when men had before them the example of their spiritual guides as leaders in vice and debauchery and contempt of sacred things, all the sanctions of morality were destroyed and the confusion between right and wrong became hopeless. The world has probably never seen a society more vile than that of Europe in the fourteenth and fifteenth centuries. The brilliant pages of Froissart fascinate us with their pictures of the artificial courtesies of chivalry; the mystic reveries of Rysbroek and of Tauler show us that spiritual life survived in some rare souls, but the mass of the population was plunged into the depths of sensuality and the most brutal

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Critias by Plato:

their own land and the rest of Hellas; they were renowned all over Europe and Asia for the beauty of their persons and for the many virtues of their souls, and of all men who lived in those days they were the most illustrious. And next, if I have not forgotten what I heard when I was a child, I will impart to you the character and origin of their adversaries. For friends should not keep their stories to themselves, but have them in common.

Yet, before proceeding further in the narrative, I ought to warn you, that you must not be surprised if you should perhaps hear Hellenic names given to foreigners. I will tell you the reason of this: Solon, who was intending to use the tale for his poem, enquired into the meaning of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chance by Joseph Conrad:

poor Fynes in case of accident, if nothing else. I told her that she did not know the bucolic mind. Had she given occasion for a coroner's inquest the verdict would have been suicide, with the implication of unhappy love. They would never be able to understand that she had taken the trouble to climb over two post-and-rail fences only for the fun of being reckless. Indeed even as I talked chaffingly I was greatly struck myself by the fact.

She retorted that once one was dead what horrid people thought of one did not matter. It was said with infinite contempt; but something like a suppressed quaver in the voice made me look at her again. I perceived then that her thick eyelashes were wet. This


Chance