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Today's Stichomancy for Richard Branson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

broken upon the startled ears of the warriors who had been sent to spy upon him. He looked at the timepiece set in a massive bracelet upon his left forearm. The ninth zode was nearly half gone. O-Tar had lain for an hour unconscious. He had spent an hour in the chamber of O-Mai and he was not dead! He had looked upon the face of his predecessor and was still sane! He shook himself and smiled. Rapidly he subdued his rebelliously shaking nerves, so that by the time he reached the tenanted portion of the palace he had gained control of himself. He walked with chin high and something of a swagger. To the banquet hall he went, knowing that his chiefs awaited him there and as he entered they


The Chessmen of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A House of Pomegranates by Oscar Wilde:

Blood in the heart of the ruby, and Death in the heart of the pearl.' And he told them his three dreams.

And when the courtiers heard them they looked at each other and whispered, saying: 'Surely he is mad; for what is a dream but a dream, and a vision but a vision? They are not real things that one should heed them. And what have we to do with the lives of those who toil for us? Shall a man not eat bread till he has seen the sower, nor drink wine till he has talked with the vinedresser?'

And the Chamberlain spake to the young King, and said, 'My lord, I pray thee set aside these black thoughts of thine, and put on this fair robe, and set this crown upon thy head. For how shall the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Walden by Henry David Thoreau:

unexplored forests and meadows which surround it. We need the tonic of wildness -- to wade sometimes in marshes where the bittern and the meadow-hen lurk, and hear the booming of the snipe; to smell the whispering sedge where only some wilder and more solitary fowl builds her nest, and the mink crawls with its belly close to the ground. At the same time that we are earnest to explore and learn all things, we require that all things be mysterious and unexplorable, that land and sea be infinitely wild, unsurveyed and unfathomed by us because unfathomable. We can never have enough of nature. We must be refreshed by the sight of inexhaustible vigor, vast and titanic features, the sea-coast with its wrecks, the


Walden
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Critias by Plato:

citizens (20,000), 'which is about their present number' (Crit.), is evidently designed to contrast with the myriads and barbaric array of the Atlantic hosts. The passing remark in the Timaeus that Athens was left alone in the struggle, in which she conquered and became the liberator of Greece, is also an allusion to the later history. Hence we may safely conclude that the entire narrative is due to the imagination of Plato, who has used the name of Solon and introduced the Egyptian priests to give verisimilitude to his story. To the Greek such a tale, like that of the earth-born men, would have seemed perfectly accordant with the character of his mythology, and not more marvellous than the wonders of the East narrated by Herodotus and others: he might have been deceived into