| The first excerpt represents the past or something you must release, and is drawn from Twenty Years After by Alexandre Dumas: Cromwell can intend them no harm, it would have a bad
appearance."
Mordaunt recoiled; he felt the blow and discharged a
terrible look at D'Artagnan, who responded by the most
amiable expression that ever graced a human countenance.
"When I tell you a thing, sir," said Mordaunt, "you insult
me by doubting it."
"I!" cried D'Artagnan, "I doubt what you say!" God keep me
from it, my dear Monsieur Mordaunt! On the contrary, I take
you to be a worthy and accomplished gentleman. And then,
sir, do you wish me to speak freely to you?" continued
Twenty Years After |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Just Folks by Edgar A. Guest: She used to stand by the window pane,
Worried and troubled as she could be.
And this was the question I used to hear,
The very minute that I drew near;
The words she used, I can't forget:
"Tell me, my boy, if your feet are wet."
Worried about me was mother dear,
As healthy a lad as ever strolled
Over a turnpike, far or near,
'Fraid to death that I'd take a cold.
Always stood by the window pane,
Just Folks |
The third excerpt represents the future or something you must embrace, and is drawn from On Horsemanship by Xenophon: stretched over it than bound up with the corselet. Again, the part
exposed when the right hand is raised should be covered close to the
corselet either with calfskin or with metal; or else there will be a
want of protection just at the most vital point.
[6] {prosthetai}, "moveable," "false." For {gigglumois} L. & S. cf.
Hipp. 411. 12; Aristot. "de An." iii. 10. 9 = "ball-and-socket
joints."
[7] i.e. "forearm."
Moreover, as any damage done to the horse will involve his rider in
extreme peril, the horse also should be clad in armour--frontlet,
breastplate, and thigh-pieces;[8] which latter may at the same time
On Horsemanship |
