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Today's Stichomancy for Ricky Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cratylus by Plato:

capable of being trained and improved and engrafted upon one another. The change in them is effected in earlier ages by musical and euphonic improvements, at a later stage by the influence of grammar and logic, and by the poetical and literary use of words. They develope rapidly in childhood, and when they are full grown and set they may still put forth intellectual powers, like the mind in the body, or rather we may say that the nobler use of language only begins when the frame-work is complete. The savage or primitive man, in whom the natural instinct is strongest, is also the greatest improver of the forms of language. He is the poet or maker of words, as in civilised ages the dialectician is the definer or distinguisher of them. The latter calls the second world of abstract terms

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Philebus by Plato:

philosophy, who deny the very existence of pleasure.

PROTARCHUS: Indeed!

SOCRATES: They say that what the school of Philebus calls pleasures are all of them only avoidances of pain.

PROTARCHUS: And would you, Socrates, have us agree with them?

SOCRATES: Why, no, I would rather use them as a sort of diviners, who divine the truth, not by rules of art, but by an instinctive repugnance and extreme detestation which a noble nature has of the power of pleasure, in which they think that there is nothing sound, and her seductive influence is declared by them to be witchcraft, and not pleasure. This is the use which you may make of them. And when you have considered the various

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Marriage Contract by Honore de Balzac:

notary who follows his epoch, risks capital in doubtful investments, speculates with all he can lay his hands on, and expects to retire with an income of thirty thousand francs after ten years' practice; in short, the notary whose cleverness comes of his duplicity, whom many men fear as an accomplice possessing their secrets, and who sees in his practice a means of ultimately marrying some blue-stockinged heiress.

When the slender, fair-haired Solonet, curled, perfumed, and booted like the leading gentleman at the Vaudeville, and dressed like a dandy whose most important business is a duel, entered Madame Evangelista's salon, preceding his brother notary, whose advance was delayed by a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

scorn and anger in the Master's, smelled out there was something of import in the wind.

For the matter of three weeks we continued to live together in the house of Durrisdeer: the beginning of that most singular chapter of my life - what I must call my intimacy with the Master. At first he was somewhat changeable in his behaviour: now civil, now returning to his old manner of flouting me to my face; and in both I met him half-way. Thanks be to Providence, I had now no measure to keep with the man; and I was never afraid of black brows, only of naked swords. So that I found a certain entertainment in these bouts of incivility, and was not always ill-inspired in my