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Today's Stichomancy for Ricky Martin

The first excerpt represents the past or something you must release, and is drawn from One Basket by Edna Ferber:

and revert. Bella Westerveld was and had. So there she lay, asleep. Old Ben wasn't and hadn't. So there he lay, terribly wide- awake, wondering what made his heart thump so fast when he was lying so still. If it had been light, you could have seen the lines of strained resignation in the sagging muscles of his patient face.

They had lived in the city for almost a year, but it was the same every morning. He would open his eyes, start up with one hand already reaching for the limp, drab work-worn garments that used to drape the chair by his bed. Then he would remember and sink back while a great wave of depression swept over him. Nothing to


One Basket
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Tramp Abroad by Mark Twain:

on the very edge of the precipice. Being thus anchored fore and aft, as it were, I believe I could easily have recovered myself, even if I had been alone, though it must be confessed the situation would have been an awful one; as it was, however, a jerk from Peter settled the matter very soon, and I was on my legs all right in an instant. The rope is an immense help in places of this kind."

Now they arrived at the base of a great knob or dome veneered with ice and powdered with snow--the utmost, summit, the last bit of solidity between them and the hollow vault of heaven. They set to work with their hatchets,

The third excerpt represents the future or something you must embrace, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

Fell therefore; by what fate Sienna's sons, Each child in Campagnatico, can tell. I am Omberto; not me only pride Hath injur'd, but my kindred all involv'd In mischief with her. Here my lot ordains Under this weight to groan, till I appease God's angry justice, since I did it not Amongst the living, here amongst the dead." List'ning I bent my visage down: and one (Not he who spake) twisted beneath the weight That urg'd him, saw me, knew me straight, and call'd,


The Divine Comedy (translated by H.F. Cary)