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Today's Stichomancy for Ridley Scott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Cruise of the Jasper B. by Don Marquis:

them. The children are very fond of him. At Claiborne Castle Cleggett has had a shallow lake constructed for him. There the Captain, still firm in the belief that he is a sailor, loves to potter about with catboats and rafts.

Dr. Farnsworth enjoys a lucrative position as physician to the Cleggett family, and Kuroki is their butler.

By 1925 the prejudice against militants had abated in certain exalted circles in England, and Lady Agatha Cleggett and her husband were much at court.

Cleggett, hating notoriety, had endeavored to conceal the story of his adventures along the dangerous coasts of Long Island; but

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Howard Pyle's Book of Pirates by Howard Pyle:

time with the man who murdered his own grandfather--the greatest beast of a man that ever he met in all of his life.

That time in the harbor he had seen Sir John Malyoe at a distance and in the darkness; now that he beheld him near by it seemed to him that he had never looked at a more evil face in all his life. Not that the man was altogether ugly, for he had a good nose and a fine double chin; but his eyes stood out like balls and were red and watery, and he winked them continually, as though they were always smarting; and his lips were thick and purple-red, and his fat, red cheeks were mottled here and there with little clots of purple veins; and when he spoke his voice rattled so in his


Howard Pyle's Book of Pirates
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Age of Innocence by Edith Wharton:

drive led up between iron stags and blue glass balls embedded in mounds of geraniums to a front door of highly-varnished walnut under a striped verandah-roof; and behind it ran a narrow hall with a black and yellow star-patterned parquet floor, upon which opened four small square rooms with heavy flock-papers under ceilings on which an Italian house-painter had lavished all the divinities of Olympus. One of these rooms had been turned into a bedroom by Mrs. Mingott when the burden of flesh descended on her, and in the adjoining one she spent her days, enthroned in a large armchair

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

be dead. "They said that there was no question but that it must have been you, and less that you could have survived or been picked up."

"How can I convince you that I am no spirit?" he asked, with a laugh. "It was I whom the delightful Monsieur Thuran pushed overboard, but I did not drown--I will tell you all about it after a while--and here I am very much the same wild man you first knew, Jane Porter."

The girl rose slowly to her feet and came toward him.

"I cannot even yet believe it," she murmured. "It cannot be that such happiness can be true after all the hideous


The Return of Tarzan