Today's Stichomancy for Ridley Scott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Extracts From Adam's Diary by Mark Twain:

it was most uncomfortable. This made her sorry for the creatures which live in there, which she calls fish, for she continues to fasten names on to things that don't need them and don't come when they are called by them, which is a matter of no consequence to her, as she is such a numskull anyway; so she got a lot of them out and brought them in last night and put them in my bed to keep warm, but I have noticed them now and then all day, and I don't see that they are any happier there than they were before, only quieter. When night comes I shall throw them out-doors. I will not sleep with them again, for I find them clammy and unpleasant to lie among when a person hasn't anything on.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

no time. The sentry's impassive face became rigid; he looked through her, not at her. Harmony turned.

The man in the green hat was coming up the staircase. There was no further chance to question. The sentry was set to carrying the boxes down the staircase.

Full morning now, with the winter sun shining on the beggars in the market, on the crowds in the parks, on the flower sellers in the Stephansplatz; shining on Harmony's golden head as she bent over a bit of chiffon, on the old milkwoman carrying up the whitewashed staircase her heavy cans of milk; on the carrier pigeon winging its way to the south; beating in through bars to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Last War: A World Set Free by H. G. Wells:

1958 with a smiling impatience, were eager before 1959 was four months old to know just exactly what he thought might be done. He answered with the patience of a philosopher and the lucidity of a Frenchman. He began to receive responses of a more and more hopeful type. He came across the Atlantic to Italy, and there he gathered in the promises for this congress. He chose those high meadows above Brissago for the reasons we have stated. 'We must get away,' he said, 'from old associations.' He set to work requisitioning material for his conference with an assurance that was justified by the replies. With a slight incredulity the conference which was to begin a new order in the world, gathered

The Last War: A World Set Free

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Underground City by Jules Verne:

I only knew you as shadows dimly seen in the gloom of the pit, but I could not endure the idea that you would die of hunger in these horrid places; and so, at the risk of being detected, I succeeded in obtaining bread and water for you during some days. I should have liked to help you to escape, but it was so difficult to avoid the vigilance of my grandfather. You were about to die. Then arrived Jack Ryan and the others. By the providence of God I met with them, and instantly guided them to where you were. When my grandfather discovered what I had done, his rage against me was terrible. I expected death at his hands. After that my life became insupportable to me.