| The first excerpt represents the past or something you must release, and is drawn from Venus and Adonis by William Shakespeare: What is ten hundred touches unto thee?
Are they not quickly told and quickly gone? 520
Say, for non-payment that the debt should double,
Is twenty hundred kisses such a trouble?'
'Fair queen,' quoth he, 'if any love you owe me,
Measure my strangeness with my unripe years: 524
Before I know myself, seek not to know me;
No fisher but the ungrown fry forbears:
The mellow plum doth fall, the green sticks fast,
Or being early pluck'd is sour to taste. 528
'Look! the world's comforter, with weary gait
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Recruit by Honore de Balzac: In spite of these difficulties, the countess had maintained her
independence very cleverly until the day when, by an inexplicable
imprudence, she closed her doors to her usual evening visitors. Madame
de Dey inspired so genuine and deep an interest, that the persons who
called upon her that evening expressed extreme anxiety on being told
that she was unable to receive them. Then, with that frank curiosity
which appears in provincial manners, they inquired what misfortune,
grief, or illness afflicted her. In reply to these questions, an old
housekeeper named Brigitte informed them that her mistress had shut
herself up in her room and would see no one, not even the servants of
the house. The semi-cloistral existence of the inhabitants of a little
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The third excerpt represents the future or something you must embrace, and is drawn from Through the Looking-Glass by Lewis Carroll: No cloud was in the sky:
No birds were flying over head--
There were no birds to fly.
The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
"If this were only cleared away,"
They said, "it WOULD be grand!"
"If seven maids with seven mops
Swept it for half a year,
Through the Looking-Glass |
