| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Picture of Dorian Gray by Oscar Wilde: at nine to-morrow. I have some work to do."
"All right, sir."
"Did any one call this evening?"
"Mr. Hallward, sir. He stayed here till eleven, and then be went
away to catch his train."
"Oh! I am sorry I didn't see him. Did he leave any message?"
"No, sir, except that he would write to you from Paris,
if he did not find you at the club."
"That will do, Francis. Don't forget to call me at nine to-morrow."
"No, sir."
The man shambled down the passage in his slippers.
 The Picture of Dorian Gray |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collection of Antiquities by Honore de Balzac: be attacked. Chesnel saw clearly. His fanatical attachment to the
d'Esgrignons was whole-hearted, but it was not blind, and it was all
the fairer for this. The young monk's faith that sees heaven laid open
and beholds the angels, is something far below the power of the old
monk who points them out to him. The ex-steward was like the old monk;
he would have given his life to defend a worm-eaten shrine.
He tried to explain the "innovations" to his old master, using a
thousand tactful precautions; sometimes speaking jestingly, sometimes
affecting surprise or sorrow over this or that; but he always met the
same prophetic smile on the Marquis' lips, the same fixed conviction
in the Marquis' mind, that these follies would go by like others.
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