| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Middlemarch by George Eliot: ease and good-humor which is infectious, and like great grassy hills
in the sunshine, quiets even an irritated egoism, and makes it
rather ashamed of itself. "Well, how are you?" he said, showing a
hand not quite fit to be grasped. "Sorry I missed you before.
Is there anything particular? You look vexed."
Sir James's brow had a little crease in it, a little depression
of the eyebrow, which he seemed purposely to exaggerate as he answered.
"It is only this conduct of Brooke's. I really think somebody
should speak to him."
"What? meaning to stand?" said Mr. Cadwallader, going on with
the arrangement of the reels which he had just been turning.
 Middlemarch |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from War and the Future by H. G. Wells: child in Europe would know now that the context is, "until the
bacon-buyer calls," and it is difficult to realise that adult
citizens in America may be incapable of realising that obvious
context.
I set these things down plainly. There is a very strong
disposition in all the European countries to believe America
fundamentally indifferent to the rights and wrongs of the
European struggle; sentimentally interested perhaps, but
fundamentally indifferent. President Wilson is regarded as a
mere academic sentimentalist by a great number of Europeans.
There is a very widespread disposition to treat America lightly
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