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Today's Stichomancy for Robert A. Heinlein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Some Reminiscences by Joseph Conrad:

entitled to.

He lowered a tender gaze on his banjo and I went on looking through the port-hole. The round opening framed in its brass rim a fragment of the quays, with a row of casks ranged on the frozen ground and the tail-end of a great cart. A red-nosed carter in a blouse and a woollen nightcap leaned against the wheel. An idle, strolling custom-house guard, belted over his blue capote, had the air of being depressed by exposure to the weather and the monotony of official existence. The background of grimy houses found a place in the picture framed by my port-hole, across a wide stretch of paved quay brown with frozen mud. The colouring


Some Reminiscences
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Unseen World and Other Essays by John Fiske:

Nevertheless, the author carefully avoids the extremes of Docetism or ditheism. Not only does he represent the human life of Jesus as real, and his death as a truly physical death, but he distinctly asserts the inferiority of the Son to the Father (John xiv. 28). Indeed, as M. Reville well observes, it is part of the very notion of the Logos that it should be imperfect relatively to the absolute God; since it is only its relative imperfection which allows it to sustain relations to the world and to men which are incompatible with absolute perfection, from the Philonian point of view. The Athanasian doctrine of the Trinity finds no support in the fourth gospel, any more than in the


The Unseen World and Other Essays
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Enchanted Island of Yew by L. Frank Baum:

"Since you have seen me, what do you think of me?"

"I am sorry you asked that question," returned the prince; "for I must confess you are a very frightful-looking creature, and not at all agreeable to gaze upon."

"Ha! you are honest, as well as frank," exclaimed the king. "But that is the reason I do not leave my kingdom, as you will readily understand. And that is the reason I never permit strangers to come here, under penalty of death. So long as no one knows the King of Spor is a monster people will not gossip about my looks, and I am very sensitive regarding my personal appearance. You will perhaps understand that if I could have chosen I should have been born


The Enchanted Island of Yew
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Personal Record by Joseph Conrad:

other directions. Nothing had been said for months of my going to sea. But my attachment to my young tutor and his influence over me were so well known that he must have received a confidential mission to talk me out of my romantic folly. It was an excellently appropriate arrangement, as neither he nor I had ever had a single glimpse of the sea in our lives. That was to come by and by for both of us in Venice, from the outer shore of Lido. Meantime he had taken his mission to heart so well that I began to feel crushed before we reached Zurich. He argued in railway trains, in lake steamboats, he had argued away for me the obligatory sunrise on the Righi, by Jove! Of his devotion to his


A Personal Record