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Today's Stichomancy for Robert Anton Wilson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

offences with our hands, make them great and bright before us like the sun, make us eat them and drink them for our diet. Blind us to the offences of our beloved, cleanse them from our memories, take them out of our mouths for ever. Let all here before Thee carry and measure with the false balances of love, and be in their own eyes and in all conjunctures the most guilty. Help us at the same time with the grace of courage, that we be none of us cast down when we sit lamenting amid the ruins of our happiness or our integrity: touch us with fire from the altar, that we may be up and doing to rebuild our city: in the name and by the method of him in whose words of prayer we now conclude.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

ever imagined in parable. Besides, Rosario had a plain strain of what we call 'the country' in him, a plain strain, that is, of the colour of the country. It was certainly the first time in my official career that I had been mistaken for Rosario.

Armour turned round and saw me--that I was a stranger.

He got up at once. 'Oh,' he said, 'I thought it was Rosario.

'It isn't,' I replied, 'my name is Philips. May I ask whether you were expecting Mr. Rosario? I can come again, you know.'

'Oh, it doesn't matter. Sit down. He may drop in or he may not--I rather thought he would today. It's a pull up, isn't it, from the Mall? Have a whisky and soda.'

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

working their way into favor. We had a steamboat or two on the Thames, we had steam warships, and the beginnings of a steam commercial marine; I was getting ready to send out an expedition to discover America.

We were building several lines of railway, and our line from Camelot to London was already finished and in operation. I was shrewd enough to make all offices connected with the passenger service places of high and distinguished honor. My idea was to attract the chivalry and nobility, and make them useful and keep them out of mischief. The plan worked very well, the


A Connecticut Yankee in King Arthur's Court
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dream Life and Real Life by Olive Schreiner:

A large fire was blazing in the shadow, at the foot of the rocks. A little Bushman sat over some burning coals that had been raked from it, cooking meat. Stretched on the ground was an Englishman, dressed in a blouse, and with a heavy, sullen face. On the stone beside him was Dirk, the Hottentot, sharpening a bowie knife.

She held her breath. Not a cony in all the rocks was so still.

"They can never find me here," she said; and she knelt, and listened to every word they said. She could hear it all.

"You may have all the money," said the Bushman; "but I want the cask of brandy. I will set the roof alight in six places, for a Dutchman burnt my mother once alive in a hut, with three children."