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Today's Stichomancy for Robert Anton Wilson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Poems by T. S. Eliot:

She yawns and draws a stocking up;

The silent man in mocha brown Sprawls at the window-sill and gapes; The waiter brings in oranges Bananas figs and hothouse grapes;

The silent vertebrate in brown Contracts and concentrates, withdraws; Rachel née Rabinovitch Tears at the grapes with murderous paws;

She and the lady in the cape Are suspect, thought to be in league;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The House of Dust by Conrad Aiken:

Ripping the darkness . . . and as she turned in terror A soft face leaned above her, leaned softly down, Softly around her a breath of roses was blown, She sank in waves of quiet, she seemed to float In a sea of silence . . . and soft steps grew remote . .

'Well, let us walk in the park . . . The sun is warm, We'll sit on a bench and talk . . .' They turn and glide, The crowd of faces wavers and breaks and flows. 'Look how the oak-tops turn to gold in the sunlight! Look how the tower is changed and glows!'

Two lovers move in the crowd like a link of music,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from War of the Worlds by H. G. Wells:

'eat? Sticks to cook yer! What we got to do is to go as near as the ground'll let us, and then drive a trench."

"Blow yer trenches! You always want trenches; you ought to ha" been born a rabbit Snippy."

"'Ain't they got any necks, then?" said a third, abruptly-- a little, contemplative, dark man, smoking a pipe.

I repeated my description.

"Octopuses," said he, "that's what I calls 'em. Talk about fishers of men--fighters of fish it is this time!"

"It ain't no murder killing beasts like that," said the first speaker.


War of the Worlds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Seraphita by Honore de Balzac:

being whom we call Seraphita seems to me one of those rare and terrible spirits to whom power is given to bind men, to crush nature, to enter into participation of the occult power of God. The course of her enchantments over me began on that first day, when silence as to her was imposed upon me against my will. Each time that I have wished to question you it seemed as though I were about to reveal a secret of which I ought to be the incorruptible guardian. Whenever I have tried to speak, a burning seal has been laid upon my lips, and I myself have become the involuntary minister of these mysteries. You see me here to-night, for the hundredth time, bruised, defeated, broken, after leaving the hallucinating sphere which surrounds that young girl, so


Seraphita