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Today's Stichomancy for Robert Anton Wilson

The first excerpt represents the past or something you must release, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

in the play, that while the young gentlefolk are courting on the terrace, a rough flirtation is being carried on, and a light, trivial sort of love is growing up, between the footman and the singing chambermaid. As people are generally cast for the leading parts in their own imaginations, the reader can apply the parallel to real life without much chance of going wrong. In short, they are quite sure this other love-affair is not so deep seated as their own, but they like dearly to see it going forward. And love, considered as a spectacle, must have attractions for many who are not of the confraternity. The sentimental old maid is a commonplace of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tik-Tok of Oz by L. Frank Baum:

"For the love of sassafras!" exclaimed a Peculiar Person who was hoeing pink violets in a garden. "What can all this mean?"

For answer, Queen Ann sailed up from the Tube, took a ride through the air as high as the treetops, and alighted squarely on top of the Peculiar Person's head, smashing a jeweled crown over his eyes and tumbling him to the ground.

The mule was heavier and had Betsy clinging to his back, so he did not go so high up. Fortunately


Tik-Tok of Oz
The third excerpt represents the future or something you must embrace, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

A great need of something to lean on, and <60> a great weariness of independence and responsibility took possession of my soul; and looking round for support and comfort in that transitory mood, the emptiness of the present and the blankness of the future sent me back to the past with all its ghosts. Why should I not go and see the place where I was born, and where I lived so long; the place where I was so magnificently happy, so exquisitely wretched, so close to heaven, so near to hell, always either up on a cloud of glory, or down in the depths with the waters of despair closing over my head? Cousins live in it now, distant cousins, loved with the exact measure of love usually bestowed on cousins who reign in one's stead;


Elizabeth and her German Garden