Today's Stichomancy for Robert Anton Wilson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master of the World by Jules Verne:

regaining either by land or by water her usual hiding-place, and obliged her to seek refuge in Black Rock Creek, what ought we to conclude now upon finding her here no longer? Obviously, that, having finished her repairs, she had continued on her way, and was already far beyond the waters of Lake Erie.

But probable as this result had been from the first, we had more and more ignored it as our trip proceeded. We had come to accept as a fact that we should meet the "Terror," that we should find her anchored at the base of the rocks where Wells had seen her.

And now what disappointment! I might even say, what despair! All our efforts gone for nothing! Even if the "Terror" was still upon the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Coxon Fund by Henry James:

ceased to tower. The universe he laid low had somehow bloomed again--the usual eminences were visible. I wondered whether he had lost his humour, or only, dreadful thought, had never had any--not even when I had fancied him most Aristophanesque. What was the need of appealing to laughter, however, I could enviously enquire, where you might appeal so confidently to measurement? Mr. Saltram's queer figure, his thick nose and hanging lip, were fresh to me: in the light of my old friend's fine cold symmetry they presented mere success in amusing as the refuge of conscious ugliness. Already, at hungry twenty-six, Gravener looked as blank and parliamentary as if he were fifty and popular. In my scrap of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Straight Deal by Owen Wister:

not also something else at the bottom of it. You and I will say things about our cousins to our aunt. Our aunt would not allow outsiders to say those things. Is it this, the-members-of-the-family principle, which makes us less discreet than the French? Is it this, too, which leads us by a seeming paradox to resent criticism more when it comes from England? I know not how it may be with you; but with me, when I pick up the paper and read that the Germans are calling us pig-dogs again, I am merely amused. When I read French or Italian abuse of us, I am sorry, to be sure; but when some English paper jumps on us, I hate it, even when I know that what it says isn't true. So here, if I am right in my members-of-the-family hypothesis, you have the English and ourselves

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Misalliance by George Bernard Shaw:

Hypatia is at the other side of the table, on her mother's right. They chat as they work.

HYPATIA. I wonder whether they laugh at us when they are by themselves!

MRS TARLETON. Who?

HYPATIA. Bentley and his father and all the toffs in their set.

MRS TARLETON. Oh, thats only their way. I used to think that the aristocracy were a nasty sneering lot, and that they were laughing at me and John. Theyre always giggling and pretending not to care much about anything. But you get used to it: theyre the same to one another and to everybody. Besides, what does it matter what they