| The first excerpt represents the past or something you must release, and is drawn from Scaramouche by Rafael Sabatini: has ruined my highest hopes - more effectively, perhaps, than you
suppose. Throughout you have been my evil genius. And you are even
one of the agents of this climax of despair that has been reached
by me to-night."
"Wait! Listen!" Madame was panting. She flung away from
Andre-Louis, as if moved by some premonition of what was coming.
"Gervais! This is horrible!"
"Horrible, perhaps, but inevitable. Himself he has invited it. I
am a man in despair, the fugitive of a lost cause. That man holds
the keys of escape. And, besides, between him and me there is a
reckoning to be paid."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Man against the Sky by Edwin Arlington Robinson: Yet here we smile, or disappoint the gods
Who made it so: the gods have always eyes
To see men scratch; and they see one down here
Who itches, manor-bitten to the bone,
Albeit he knows himself -- yes, yes, he knows --
The lord of more than England and of more
Than all the seas of England in all time
Shall ever wash. D'ye wonder that I laugh?
He sees me, and he doesn't seem to care;
And why the devil should he? I can't tell you.
I'll meet him out alone of a bright Sunday,
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The third excerpt represents the future or something you must embrace, and is drawn from Albert Savarus by Honore de Balzac: put his arm round her, clasped her to his heart, and snatched a kiss.
But she freed herself by a dignified movement of offended modesty,
and, standing a yard off, she looked at him without anger, but with
firm determination.
"Go this evening," she said. "We meet no more till we meet at Naples."
This order was stern, but it was obeyed, for it was Francesca's will.
On his return to Paris Rodolphe found in his rooms a portrait of
Princess Gandolphini painted by Schinner, as Schinner can paint. The
artist had passed through Geneva on his way to Italy. As he had
positively refused to paint the portraits of several women, Rodolphe
did not believe that the Prince, anxious as he was for a portrait of
Albert Savarus |
