Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Robert De Niro

The first excerpt represents the past or something you must release, and is drawn from The Republic by Plato:

Here follows a rustic picture of their way of life. They spend their days in houses which they have built for themselves; they make their own clothes and produce their own corn and wine. Their principal food is meal and flour, and they drink in moderation. They live on the best of terms with each other, and take care not to have too many children. 'But,' said Glaucon, interposing, 'are they not to have a relish?' Certainly; they will have salt and olives and cheese, vegetables and fruits, and chestnuts to roast at the fire. ''Tis a city of pigs, Socrates.' Why, I replied, what do you want more? 'Only the comforts of life,--sofas and tables, also sauces and sweets.' I see; you want not only a State, but a luxurious State; and possibly in the more complex frame we may sooner find justice


The Republic
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

Against the fate that made men love my mouth And left their spirits all too deaf to hear The little songs that echoed through my soul. I have no anger now. The dreams are done; Yet since the Greeks and Trojans would not see Aught but my body's fairness, till the end, In all the islands set in all the seas, And all the lands that lie beneath the sun, Till light turn darkness, and till time shall sleep, Men's lives shall waste with longing after me, For I shall be the sum of their desire,

The third excerpt represents the future or something you must embrace, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

barbarism succeeding the saturnalia of popular thought and the last struggles of those civilizations which accumulated the treasures of the world in one direction?

The commercial traveller! Is he not to the realm of ideas what our stage-coaches are to men and things? He is their vehicle; he sets them going, carries them along, rubs them up with one another. He takes from the luminous centre a handful of light, and scatters it broadcast among the drowsy populations of the duller regions. This human pyrotechnic is a scholar without learning, a juggler hoaxed by himself, an unbelieving priest of mysteries and dogmas, which he expounds all the better for his want of faith. Curious being! He has