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Today's Stichomancy for Robert Frost

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Lover's Complaint by William Shakespeare:

Playing patient sports in unconstrained gyves: She that her fame so to herself contrives, The scars of battle 'scapeth by the flight, And makes her absence valiant, not her might.

'O pardon me, in that my boast is true: The accident which brought me to her eye, Upon the moment did her force subdue, And now she would the caged cloister fly: Religious love put out religion's eye: Not to be tempted, would she be immur'd, And now, to tempt all, liberty procur'd.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Arizona Nights by Stewart Edward White:

"What kind of a good thing?" I asked. "Treasure," said he. "H'm," said I.

I examined him closely. He looked all right enough, neither drunk nor loco.

"Sit down," said I--"over there; the other side the table." He did so. "Now, fire away," said I.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Crito by Plato:

will say 'the many can kill us,' that makes no difference; but a good life, in other words, a just and honourable life, is alone to be valued. All considerations of loss of reputation or injury to his children should be dismissed: the only question is whether he would be right in attempting to escape. Crito, who is a disinterested person not having the fear of death before his eyes, shall answer this for him. Before he was condemned they had often held discussions, in which they agreed that no man should either do evil, or return evil for evil, or betray the right. Are these principles to be altered because the circumstances of Socrates are altered? Crito admits that they remain the same. Then is his escape consistent with the maintenance of them? To this Crito is unable or unwilling to reply.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

sluggish, faintly discernible, and leaden-hued.

Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of


The Fall of the House of Usher