Today's Stichomancy for Robert Oppenheimer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Firm of Nucingen by Honore de Balzac:

'improper! improper! improper!' Stendhal, one of the cleverest and profoundest minds of the age, hit off the 'improper' excellently well when he said that such-and-such a British peer did not dare to cross his legs when he sat alone before his own hearth for fear of being improper. An English gentlewoman, were she one of the rabid 'Saints'-- that most straitest sect of Protestants that would leave their whole family to starve if the said family did anything 'improper'--may play the deuce's own delight in her own bedroom, and need not be 'improper,' but she would look on herself as lost if she received a visit from a man of her acquaintance in the aforesaid room. Thanks to propriety, London and its inhabitants will be found petrified some of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Road to Oz by L. Frank Baum:

threw her arms around her little friend and hugged and kissed her rapturously, and Toto barked joyfully and Button-Bright smiled a happy smile and consented to sit on the soft cushions close beside the Princess.

"Why didn't you send me word you were going to have a birthday party?" asked the little Kansas girl, when the first greetings were over.

"Didn't I?" asked Ozma, her pretty eyes dancing with merriment.

"Did you?" replied Dorothy, trying to think.

"Who do you imagine, dear, mixed up those roads, so as to start you wandering in the direction of Oz?" inquired the Princess.

"Oh! I never 'spected YOU of that," cried Dorothy.

"I've watched you in my Magic Picture all the way here," declared

The Road to Oz

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedo by Plato:

belief.

ECHECRATES: There I feel with you--by heaven I do, Phaedo, and when you were speaking, I was beginning to ask myself the same question: What argument can I ever trust again? For what could be more convincing than the argument of Socrates, which has now fallen into discredit? That the soul is a harmony is a doctrine which has always had a wonderful attraction for me, and, when mentioned, came back to me at once, as my own original conviction. And now I must begin again and find another argument which will assure me that when the man is dead the soul survives. Tell me, I implore you, how did Socrates proceed? Did he appear to share the unpleasant feeling which you mention? or did he calmly meet the attack?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Albert Savarus by Honore de Balzac:

When he showed this letter to Rosalie, who, with a pious impulse, kissed the lines which contained her forgiveness, he said to her:

"Well, now that he is lost to you, will you not be reconciled to your mother and marry the Comte de Soulas?"

"Only if Albert should order it," said she.

"But you see it is impossible to consult him. The General of the Order would not allow it."

"If I were to go to see him?"

"No Carthusian sees any visitor. Besides, no woman but the Queen of France may enter a Carthusian monastery," said the Abbe. "So you have no longer any excuse for not marrying young Monsieur de Soulas."

Albert Savarus