| The first excerpt represents the past or something you must release, and is drawn from Domestic Peace by Honore de Balzac: dear, it is not much later that we learn to go about in it without
crumpling it. Go on, sweetheart, making clever enemies, and friends
who have no sense of conduct, and you will see what a pleasant life
you will some day be leading!"
"Oh, madame, it is very hard for a woman to be happy, do not you
think?" the Countess eagerly exclaimed.
"My child, at your age you must learn to choose between pleasure and
happiness. You want to marry Martial, who is not fool enough to make a
good husband, nor passionate enough to remain a lover. He is in debt,
my dear; he is the man to run through your fortune; still, that would
be nothing if he could make you happy.--Do not you see how aged he is?
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moll Flanders by Daniel Defoe: would, after me, give it wholly to him and to his heirs. And
in the meantime, smiling, I asked him what made him continue
a bachelor so long. His answer was kind and ready, that
Virginia did not yield any great plenty of wives, and that since
I talked of going back to England, I should send him a wife
from London.
This was the substance of our first day's conversation, the
pleasantest day that ever passed over my head in my life, and
which gave me the truest satisfaction. He came every day
after this, and spent great part of his time with me, and carried
me about to several of his friends' houses, where I was
 Moll Flanders |
The third excerpt represents the future or something you must embrace, and is drawn from Unconscious Comedians by Honore de Balzac: windows, jardinieres everywhere, downy divans where each customer can
wait his turn and read the newspapers. You might suppose, when you
first go in, that five francs would be the least they'd get out of
your waistcoat pocket; but nothing is ever extracted beyond ten sous
for combing and frizzing your hair, or twenty sous for cutting and
frizzing. Elegant dressing-tables stand about among the jardinieres;
water is laid on to the washstands; enormous mirrors reproduce the
whole figure. Therefore don't look astonished. When the client (that's
the elegant word substituted by Marius for the ignoble word customer),
--when the client appears at the door, Marius gives him a glance which
appraises him: to Marius you are a HEAD, more or less susceptible of
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