| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Horsemanship by Xenophon: which you hold it remains stiff, the rest hangs loose); and while
perpetually hunting for the portion which escapes him, he lets the
mouthpiece go from his bars.[6] For this reason the rings are hung in
the middle from the two axles,[7] so that while feeling for them with
his tongue and teeth he may neglect to take the bit up against his
jaws.
[5] Or, "poker," as we might say; lit. "spit."
[6] Schneid. cf. Eur. "Hippol." 1223.
[7] See Morgan, note ad loc. Berenger (i. 261) notes: "We have a small
chain in the upset or hollow part of our bits, called a 'Player,'
with which the horse playing with his tongue, and rolling it
 On Horsemanship |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Enoch Arden, &c. by Alfred Tennyson: As heiress and not heir regretfully?
But `he that marries her marries her name'
This fiat somewhat soothed himself and wife,
His wife a faded beauty of the Baths,
Insipid as the Queen upon a card;
Her all of thought and bearing hardly more
Than his own shadow in a sickly sun.
A land of hops and poppy-mingled corn,
Little about it stirring save a brook!
A sleepy land where under the same wheel
The same old rut would deepen year by year;
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