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Today's Stichomancy for Robert Redford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Love and Friendship by Jane Austen:

talked of coming again so soon, that I could not help affronting them. I suppose I shall not see them any more, and yet as a family party we are so stupid, that I do not know what to do with myself. These girls have no Music, but Scotch airs, no Drawings but Scotch Mountains, and no Books but Scotch Poems--and I hate everything Scotch. In general I can spend half the Day at my toilett with a great deal of pleasure, but why should I dress here, since there is not a creature in the House whom I have any wish to please. I have just had a conversation with my Brother in which he has greatly offended me, and which as I have nothing more entertaining to send you I will gave you the particulars of.


Love and Friendship
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Footnote to History by Robert Louis Stevenson:

now to deal with their brief and luckless reign. That it was the reign of Brandeis needs not to be argued: the policy is throughout that of an able, over-hasty white, with eyes and ideas. But it should be borne in mind that he had a double task, and must first lead his sovereign, before he could begin to drive their common subjects. Meanwhile, he himself was exposed (if all tales be true) to much dictation and interference, and to some "cumbrous aid," from the consulate and the firm. And to one of these aids, the suppression of the municipality, I am inclined to attribute his ultimate failure.

The white enemies of the new regimen were of two classes. In the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Resurrection by Leo Tolstoy:

vodka, do you? Your chatter's not wanted. We know what to do without your advice."

"No one's speaking to you; what do you stick your nose in for?"

"It's vodka you want; that's why you come wriggling yourself in here."

"Well, offer her some," said Maslova, always ready to share anything she possessed with anybody.

"I'll offer her something."

"Come on then," said the red-haired one, advancing towards Korableva. "Ah! think I'm afraid of such as you?"

"Convict fright!"


Resurrection
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Droll Stories, V. 1 by Honore de Balzac:

These unavoidable blemishes apart, the writer ventures to hope that he has treated this great masterpiece in a reverent spirit, touched it with no sacrilegious hand, but, on the contrary, given as close a translation as the dissimilarities of the two languages permit. With this idea, no attempt had been made to polish or round many of the awkwardly constructed sentences which are characteristic of this volume. Rough, and occasionally obscure, they are far more in keeping with the spirit of the original than the polished periods of modern romance. Taking into consideration the many difficulties which he has had to overcome, and which those best acquainted with the French edition will best appreciate, the translator claims the indulgence of


Droll Stories, V. 1