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Today's Stichomancy for Robert Redford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In the South Seas by Robert Louis Stevenson:

encourage me with a heartfelt 'MITAI! - good!' So might a deaf painter sympathise far off with a musician, as the slave and master of some uncomprehended and yet kindred art. A silly trade, he doubtless considered it; but a man must make allowance for barbarians - CHAQUE PAYS A SES COUTUMES - and he felt the principle was there.

The time came at last when his labours, which resembled those rather of Penelope than Hercules, could be no more spun out, and nothing remained but to pay him and say farewell. After a long, learned argument in Marquesan, I gathered that his mind was set on fish-hooks; with three of which, and a brace of dollars, I thought

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Personal Record by Joseph Conrad:

believe, and also my first introduction to the sea in literature.

If I do not remember where, how, and when I learned to read, I am not likely to forget the process of being trained in the art of reading aloud. My poor father, an admirable reader himself, was the most exacting of masters. I reflect proudly that I must have read that page of "Two Gentlemen of Verona" tolerably well at the age of eight. The next time I met them was in a 5s. one-volume edition of the dramatic works of William Shakespeare, read in Falmouth, at odd moments of the day, to the noisy accompaniment of calkers' mallets driving oakum into the deck-seams of a ship in dry-dock. We had run in, in a sinking condition and with the


A Personal Record
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moby Dick by Herman Melville:

always been deemed one of the spare boats, though technically called the captain's, on account of its hanging from the starboard quarter. The figure that now stood by its bows was tall and swart, with one white tooth evilly protruding from its steel-like lips. A rumpled Chinese jacket of black cotton funereally invested him, with wide black trowsers of the same dark stuff. But strangely crowning this ebonness was a glistening white plaited turban, the living hair braided and coiled round and round upon his head. Less swart in aspect, the companions of this figure were of that vivid, tiger-yellow complexion peculiar to some of the aboriginal natives of the Manillas;--a race notorious for a certain diabolism of subtilty,


Moby Dick
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tapestried Chamber by Walter Scott:

little to attend to what his host was saying, as, looking across an extended and rich prospect, he pointed out the different objects worthy of observation. Thus they moved on till Lord Woodville had attained his purpose of drawing his guest entirely apart from the rest of the company, when, turning round upon him with an air of great solemnity, he addressed him thus:--

"Richard Browne, my old and very dear friend, we are now alone. Let me conjure you to answer me upon the word of a friend, and the honour of a soldier. How did you in reality rest during last night?"

"Most wretchedly indeed, my lord," answered the General, in the