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Today's Stichomancy for Robert Redford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Touchstone by Edith Wharton:

insensibility for a gradual revival of moral health.

He told himself that he was recovering his sense of proportion, getting to see things in their true light; and if he now thought of his rash appeal to his wife's sympathy it was as an act of folly from the consequences of which he had been saved by the providence that watches over madmen. He had little leisure to observe Alexa; but he concluded that the common-sense momentarily denied him had counselled her uncritical acceptance of the inevitable. If such a quality was a poor substitute for the passionate justness that had once seemed to characterize her, he accepted the alternative as a part of that general lowering of the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Caesar's Commentaries in Latin by Julius Caesar:

adducti non prius Viridovicem reliquosque duces ex concilio dimittunt quam ab iis sit concessum arma uti capiant et ad castra contendant. Qua re concessa laeti, ut explorata victoria, sarmentis virgultisque collectis, quibus fossas Romanorum compleant, ad castra pergunt.

Locus erat castrorum editus et paulatim ab imo acclivis circiter passus mille. Huc magno cursu contenderunt, ut quam minimum spatii ad se colligendos armandosque Romanis daretur, exanimatique pervenerunt.

Sabinus suos hortatus cupientibus signum dat. Impeditis hostibus propter ea quae ferebant onera subito duabus portis eruptionem fieri iubet.

Factum est oportunitate loci, hostium inscientia ac defatigatione, virtute militum et superiorum pugnarum exercitatione, ut ne unum quidem nostrorum

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Falk by Joseph Conrad:

should never see Falk again. But the first thing my anchor-watchman told me was that the captain of the tug was on board. He had sent his boat away and was now waiting for me in the cuddy.

He was lying full length on the stern settee, his face buried in the cushions. I had expected to see it discomposed, contorted, despairing. It was nothing of the kind; it was just as I had seen it twenty times, steady and glaring from the bridge of the tug. It was immovably set and hungry, dominated like the whole man by the singleness of


Falk
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

Lemorne Versus Huell Elizabeth Drew Stoddard Harper's New Monthly Magazine 26 (1863): 537-43.

The two months I spent at Newport with Aunt Eliza Huell, who had been ordered to the sea-side for the benefit of her health, were the months that created all that is dramatic in my destiny. My aunt was troublesome, for she was not only out of health, but in a lawsuit. She wrote to me, for we lived apart, asking me to accompany her--not because she was fond of me, or wished to give me pleasure, but because I was useful in various ways. Mother insisted upon my accepting her invitation, not because she loved her late