| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mucker by Edgar Rice Burroughs: decided to dispatch Bony Sawyer to the spring for water for
those who were to remain on guard at the cliff top.
A hurried breakfast was made on water-soaked ship's biscuit.
Theriere and his searching party stuffed their pockets full
of them, and a moment later the search was on. First the men
traversed the trail toward the spring, looking for indications of
the spot where Barbara Harding had ceased to follow them.
The girl had worn heelless buckskin shoes at the time she was
taken from the Lotus, and these left little or no spoor in the
well-tramped earth of the narrow path; but a careful and
minute examination on the part of Theriere finally resulted in
 The Mucker |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Duchesse de Langeais by Honore de Balzac: most poetic wreck of the reign of Louis Quinze. In her beautiful
prime, so it was said, she had done her part to win for that
monarch his appellation of le Bien-aime. Of her past charms of
feature, little remained save a remarkably prominent slender
nose, curved like a Turkish scimitar, now the principal ornament
of a countenance that put you in mind of an old white glove. Add
a few powdered curls, high-heeled pantoufles, a cap with
upstanding loops of lace, black mittens, and a decided taste for
ombre. But to do full justice to the lady, it must be said that
she appeared in low-necked gowns of an evening (so high an
opinion of her ruins had she), wore long gloves, and raddled her
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Voyage to Abyssinia by Father Lobo: different shapes, calling those that pass by their names as in a
familiar acquaintance, who, if they go to them, are never seen
afterwards. This relation was confirmed by the Moorish officer who
came with us, who, as he said, had lost a servant in that manner:
the man certainly fell into the hands of the Galles, who lurk in
those dark retreats, cut the throats of the merchants, and carry off
their effects.
The heat making it impossible to travel through this plain in the
day-time, we set out in the evening, and in the night lost our way.
It is very dangerous to go through this place, for there are no
marks of the right road, but some heaps of salt, which we could not
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ruling Passion by Henry van Dyke: motive; a failure to see the right path at the right moment, and a
long wandering beyond it; a word left unspoken until the ears that
should have heard it are sealed, and the tongue that should have
spoken it is dumb.
The soft sea-fog clothed the night with clinging darkness; the faded
leaves hung slack and motionless from the trees, waiting for their
fall; the tense notes of the surf beyond the sand-dunes vibrated
through the damp air like chords from some mighty VIOLONO; large,
warm drops wept from the arbour while I sat in the garden, holding
the poor little book, and thinking of the white blot in the record
of a life that was too proud to bend to the happiness that was meant
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