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Today's Stichomancy for Rudi Bakhtiar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lily of the Valley by Honore de Balzac:

sadly and gently. "Tell me, I implore you for Christ's sake, why are you praying at the foot of this cross? Why are you here, and not with her? Why are the children kneeling here this chilly morning? Tell me all, that I may do no harm through ignorance."

"For the last few days Madame le comtesse has been unwilling to see her children except at stated times.--Monsieur," he continued after a pause, "perhaps you had better wait a few hours before seeing Madame de Mortsauf; she is greatly changed. It is necessary to prepare her for this interview, or it might cause an increase in her sufferings-- death would be a blessed release from them."

I wrung the hand of the good man, whose look and voice soothed the


The Lily of the Valley
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twenty Years After by Alexandre Dumas:

wind; let us join with that side to which the wind will carry it and resume our adventurous life. We were once four valiant knights -- four hearts fondly united; let us unite again, not our hearts, which have never been severed, but our courage and our fortunes. Here's a good opportunity for getting something better than a diamond."

"You are right, D'Artagnan; I held a similar project, but as I had not nor ever shall have your fruitful, vigorous imagination, the idea was suggested to me. Every one nowadays wants auxiliaries; propositions have been made to me and I confess to you frankly that the coadjutor has made


Twenty Years After
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Life in the Iron-Mills by Rebecca Davis:

which she placed on the floor, closing the door after her. She had seen the look on his face, as he turned away: her own grew deadly. Yet, as she came up to him, her eyes glowed. He was seated on an old chest, quiet, holding his face in his hands.

"Hugh!" she said, softly.

He did not speak.

"Hugh, did hur hear what the man said,--him with the clear voice? Did hur hear? Money, money,--that it wud do all?"

He pushed her away,--gently, but he was worn out; her rasping tone fretted him.

"Hugh!"


Life in the Iron-Mills
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction--Gatsby, who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the


The Great Gatsby