| The first excerpt represents the past or something you must release, and is drawn from Myths and Myth-Makers by John Fiske: the mountain she told him to take as much gold as he pleased.
The shepherd filled all his pockets, and was going away, when
the princess called after him, 'Forget not the best.' So,
thinking she meant that he had not taken enough, he filled his
hat also; but what she meant was his staff with the
springwort, which he had laid against the wall as soon as he
stepped in. But now, just as he was going out at the opening,
the rock suddenly slammed together and cut him in two."[26]
[26] Kelly, Indo-European Folk-Lore, p. 177.
Here the rod derives its marvellous properties from the
enclosed springwort, but in many cases a leaf or flower is
 Myths and Myth-Makers |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Woodlanders by Thomas Hardy: Their conversation was in briefest phrase for some time, Grace
being somewhat disconcerted, through not having understood till
they were about to start that Giles was to be her sole conductor
in place of her father. When they were in the open country he
spoke.
"Don't Brownley's farm-buildings look strange to you, now they
have been moved bodily from the hollow where the old ones stood to
the top of the hill?"
She admitted that they did, though she should not have seen any
difference in them if he had not pointed it out.
"They had a good crop of bitter-sweets; they couldn't grind them
 The Woodlanders |
The third excerpt represents the future or something you must embrace, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson: particular fun to do this on Sundays when the Monument is shut up.
Your cabman expostulates with you, you persist. The cabman drives
up in front of the closed gates and says, 'I told you so, sir.'
You breathe in the porter's ears the mystic name of COLVIN, and he
immediately unfolds the iron barrier. You drive in, and doesn't
your cabman think you're a swell. A lord mayor is nothing to it.
Colvin's door is the only one in the eastern gable of the building.
Send in your card to him with 'From R. L. S.' in the corner, and
the machinery will do the rest. Henry James's address is 34 De
Vere Mansions West. I cannot remember where the place is; I cannot
even remember on which side of the park. But it's one of those big
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