| The first excerpt represents the past or something you must release, and is drawn from Prince Otto by Robert Louis Stevenson: All around were dark, brass-mounted cabinets and cupboards; dark
shelves carrying ancient country crockery; guns and antlers and
broadside ballads on the wall; a tall old clock with roses on the
dial; and down in one corner the comfortable promise of a wine
barrel. It was homely, elegant, and quaint.
A powerful youth hurried out to attend on the grey mare; and when
Mr. Killian Gottesheim had presented him to his daughter Ottilia,
Otto followed to the stable as became, not perhaps the Prince, but
the good horseman. When he returned, a smoking omelette and some
slices of home-cured ham were waiting him; these were followed by a
ragout and a cheese; and it was not until his guest had entirely
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: boudoir was lined with some red stuff, over which an Indian muslin was
stretched, fluted after the fashion of Corinthian columns, in plaits
going in and out, and bound at the top and bottom by bands of poppy-
colored stuff, on which were designs in black arabesque.
Below the muslin the poppy turned to rose, that amorous color, which
was matched by window-curtains, which were of Indian muslin lined with
rose-colored taffeta, and set off with a fringe of poppy-color and
black. Six silver-gilt arms, each supporting two candles, were
attached to the tapestry at an equal distance, to illuminate the
divan. The ceiling, from the middle of which a lustre of unpolished
silver hung, was of a brilliant whiteness, and the cornice was gilded.
 The Girl with the Golden Eyes |
The third excerpt represents the future or something you must embrace, and is drawn from Pierre Grassou by Honore de Balzac: means to amuse myself. My notary invests my money; he knows what I
have; as soon as I have taken him the money I never think of it
again."
"I've always been told," cried old Vervelle, "that artists were
baskets with holes in them."
"Who is your notary--if it is not indiscreet to ask?" said Madame
Vervelle.
"A good fellow, all round," replied Grassou. "His name is Cardot."
"Well, well! if that isn't a joke!" exclaimed Vervelle. "Cardot is our
notary too."
"Take care! don't move," said the painter.
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