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Today's Stichomancy for Russell Crowe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Modeste Mignon by Honore de Balzac:

conventions. If I had a daughter able to become a Madame de Stael I should wish her dead at fifteen. Can you imagine a daughter of yours flaunting on the stage of fame, exhibiting herself to win the plaudits of a crowd, and not suffer anguish at the thought? No matter to what heights a woman can rise by the inward poetry of her soul, she must sacrifice the outer signs of superiority on the altar of her home. Her impulse, her genius, her aspirations toward Good, the whole poem of a young girl's being, should belong to the man she accepts and the children whom she brings into the world. I think I perceive in you a secret desire to widen the narrow circle of the life to which all women are condemned, and to put love and


Modeste Mignon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

he can live on equal terms with his lead soldiery, and go a cruise in his own toy schooner? Surely all these are practical questions to a neophyte entering upon life with a view to play. Precision upon such a point, the child can understand. But if you merely ask him of his past behaviour, as to who threw such a stone, for instance, or struck such and such a match; or whether he had looked into a parcel or gone by a forbidden path, - why, he can see no moment in the inquiry, and it is ten to one, he has already half forgotten and half bemused himself with subsequent imaginings.

It would be easy to leave them in their native cloudland,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Bureaucracy by Honore de Balzac:

throne, or borne away the corpse of a monarchy. At this particular time Clement des Lupeaulx (the "Lupeaulx" absorbed the "Chardin") had reached his culminating period. In the most illustrious lives as in the most obscure, in animals as in secretary-generals, there is a zenith and there is a nadir, a period when the fur is magnificent, the fortune dazzling. In the nomenclature which we derive from fabulists, des Lupeaulx belonged to the species Bertrand, and was always in search of Ratons. As he is one of the principal actors in this drama he deserves a description, all the more precise because the revolution of July has suppressed his office, eminently useful as it was, to a constitutional ministry.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from In the South Seas by Robert Louis Stevenson:

black crane fished in the broken water; the black pigs were continually galloping by on some affair; but the people might never have awaked, or they might all be dead.

My favourite haunt was opposite the hamlet, where was a landing in a cove under a lianaed cliff. The beach was lined with palms and a tree called the purao, something between the fig and mulberry in growth, and bearing a flower like a great yellow poppy with a maroon heart. In places rocks encroached upon the sand; the beach would be all submerged; and the surf would bubble warmly as high as to my knees, and play with cocoa-nut husks as our more homely ocean plays with wreck and wrack and bottles. As the reflux drew down,