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Today's Stichomancy for Salvador Dali

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

pure life. Slight and handsome like her mother, gifted with an exquisite voice, and a delicate face framed in fine fair hair, she looked like one of those angels, mystical rather than real, which some of the early painters grouped in the background of the Holy Family. The glance of her blue eyes seemed to bring a beam from the sky on those she favored with a look. Her dress, quite simple, with no exaggeration of fashion, had a delightful middle-class modesty. Picture to yourself an old Satan as the father of an angel, and purified in her divine presence, and you will have an idea of Peyrade and his daughter. If anybody had soiled this jewel, her father would have invented, to swallow him alive, one of those dreadful plots in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

Was no great compliment!"

"I'm not so young, Sir," he replied, "As you might think. The fact is, In caverns by the water-side, And other places that I've tried, I've had a lot of practice:

"But I have never taken yet A strict domestic part, And in my flurry I forget The Five Good Rules of Etiquette We have to know by heart."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great Big Treasury of Beatrix Potter by Beatrix Potter:

Then Timmy Tiptoes came out, and went home with an umbrella.

But Chippy Hackee continued to camp out for another week, although it was uncomfortable.

At last a large bear came walking through the wood. Perhaps he also was looking for nuts; he seemed to be

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Life of the Spider by J. Henri Fabre:

Well, at the time of the hatching, this disk becomes unstuck, lifts and allows the new-born Spiders to pass through.

If the rim were movable and simply inserted, if, moreover, the birth of all the family took place at the same time, we might think that the door is forced open by the living wave of inmates, who would set their backs to it with a common effort. We should find an approximate image in the case of the saucepan, whose lid is raised by the boiling of its contents. But the fabric of the cover is one with the fabric of the bag, the two are closely welded; besides, the hatching is effected in small batches, incapable of the least exertion. There must, therefore, be a spontaneous


The Life of the Spider