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Today's Stichomancy for Sammy Davis Jr.

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

have leisure to bother about whether you are happy or not. The cure for it is occupation, because occupation means pre-occupation; and the pre-occupied person is neither happy nor unhappy, but simply alive and active, which is pleasanter than any happiness until you are tired of it. That is why it is necessary to happiness that one should be tired. Music after dinner is pleasant: music before breakfast is so unpleasant as to be clearly unnatural. To people who are not overworked holidays are a nuisance. To people who are, and who can afford them, they are a troublesome necessity. A perpetual holiday is a good working definition of hell.

The Horror of the Perpetual Holiday

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Great God Pan by Arthur Machen:

cast out a good many lines, though, before I got what I wanted, and when I landed the fish I did not for a moment suppose it was my fish. But I listened to what I was told out of a constitutional liking for useless information, and I found myself in possession of a very curious story, though, as I imagined, not the story I was looking for. It was to this effect. Some five or six years ago, a woman named Raymond suddenly made her appearance in the neighbourhood to which I am referring. She was described to me as being quite young, probably not more than seventeen or eighteen, very handsome, and looking as if she came from the country. I should be wrong


The Great God Pan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Vendetta by Honore de Balzac:

Corsicans explain themselves to God."

"And I," said the daughter, rising, "am Ginevra Piombo, and I declare that within six months I shall be the wife of Luigi Porta. You are a tyrant, my father," she added, after a terrifying pause.

Bartolomeo clenched his fists and struck them on the marble of the chimneypiece.

"Ah! we are in Paris!" he muttered.

Then he was silent, crossed his arms, bowed his head on his breast, and said not another word during the whole evening.

After once giving utterance to her will, Ginevra affected inconceivable coolness. She opened the piano and sang, played charming

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Soul of Man by Oscar Wilde:

understand it or not the fact however remains, that taste and temperament have, to a certain extent been created in the public, and that the public is capable of developing these qualities. The problem then is, why do not the public become more civilised? They have the capacity. What stops them?

The thing that stops them, it must be said again, is their desire to exercise authority over the artist and over works of art. To certain theatres, such as the Lyceum and the Haymarket, the public seem to come in a proper mood. In both of these theatres there have been individual artists, who have succeeded in creating in their audiences - and every theatre in London has its own audience