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Today's Stichomancy for Sarah Jessica Parker

The first excerpt represents the past or something you must release, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

service, it was not unnatural that he should return to dreams of Italy. He and his wife were to go (as he told me) on 'a real honeymoon tour.' He had not been alone with his wife 'to speak of,' he added, since the birth of his children. But now he was to enjoy the society of her to whom he wrote, in these last days, that she was his 'Heaven on earth.' Now he was to revisit Italy, and see all the pictures and the buildings and the scenes that he admired so warmly, and lay aside for a time the irritations of his strenuous activity. Nor was this all. A trifling operation was to restore his former lightness of foot; and it was a renovated youth that was to set forth upon this re‰nacted honeymoon.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Horsemanship by Xenophon:

which you hold it remains stiff, the rest hangs loose); and while perpetually hunting for the portion which escapes him, he lets the mouthpiece go from his bars.[6] For this reason the rings are hung in the middle from the two axles,[7] so that while feeling for them with his tongue and teeth he may neglect to take the bit up against his jaws.

[5] Or, "poker," as we might say; lit. "spit."

[6] Schneid. cf. Eur. "Hippol." 1223.

[7] See Morgan, note ad loc. Berenger (i. 261) notes: "We have a small chain in the upset or hollow part of our bits, called a 'Player,' with which the horse playing with his tongue, and rolling it


On Horsemanship
The third excerpt represents the future or something you must embrace, and is drawn from The Elixir of Life by Honore de Balzac:

him alive; but this Machiavellian piece of foresight was scarcely necessary. His son, young Felipe Belvidero, grew up as a Spaniard as religiously conscientious as his father was irreligious, in virtue, perhaps, of the old rule, "A miser has a spendthrift son." The Abbot of San-Lucar was chosen by Don Juan to be the director of the consciences of the Duchess of Belvidero and her son Felipe. The ecclesiastic was a holy man, well shaped, and admirably well proportioned. He had fine dark eyes, a head like that of Tiberius, worn with fasting, bleached by an ascetic life, and, like all dwellers in the wilderness, was daily tempted. The noble lord had hopes, it may be, of despatching yet another monk