| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Profits of Religion by Upton Sinclair: act of adjustment to its changes, and our faith being the
conviction that this adjustment is possible and worth while.
In the beginning the guide is instinct, and the act of trust is
automatic. But with the dawn of reason the thinker has to justify
his faith; to convince himself that life is sincere, that there
is worth-whileness in being, or in seeking to be; that there is
order in creation, laws which can be discovered, processes which
can be applied. Just as the babe trusts life when it gropes for
its mother's breast, so the most skeptical of scientists trusts
it when he declares that water is made of two parts hydrogen and
one part oxygen, and sets it down for a certainty that this will
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Emma McChesney & Co. by Edna Ferber: mellower, sweeter, sounder, with all your angles and corners
rubbed smooth, saner, better poised than any woman I have ever
known. And what I am to-day you have made me, directly and
indirectly, by association and by actual orders, by suggestion,
and by direct contact. What you did for Jock, purposefully and
by force, you did for me, too. Not so directly, perhaps, but
with the same result. Emma McChesney, you've made--actually
made, molded, shaped, and turned out two men. You're the
greatest sculptor that ever lived. You could make a scarecrow in
a field get up and achieve. Everywhere one sees women
over-wrought, over-stimulated, eager, tense. When there appears
 Emma McChesney & Co. |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Importance of Being Earnest by Oscar Wilde: fascination. The simplicity of your character makes you
exquisitely incomprehensible to me. Your town address at the
Albany I have. What is your address in the country?
JACK. The Manor House, Woolton, Hertfordshire.
[ALGERNON, who has been carefully listening, smiles to himself, and
writes the address on his shirt-cuff. Then picks up the Railway
Guide.]
GWENDOLEN. There is a good postal service, I suppose? It may be
necessary to do something desperate. That of course will require
serious consideration. I will communicate with you daily.
JACK. My own one!
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Egmont by Johann Wolfgang Von Goethe: be lenient? Am I to recommend for his adoption measures of indulgence
and toleration? Should I not thus lose all credit with him, and at once
forfeit his confidence?
Machiavel. I know it. The king commands and puts you in full possession
of his intentions. You are to restore tranquillity and peace by measures
which cannot fail still more to embitter men's minds, and which must
inevitably kindle the flames of war from one extremity of the country to
the other. Consider well what you are doing. The principal merchants are
infected--nobles, citizens, soldiers. What avails persisting in our opinion,
when everything is changing around us? Oh, that some good genius would
suggest to Philip that it better becomes a monarch to govern burghers of
 Egmont |