| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master and Man by Leo Tolstoy: shaft, went along it hand over hand till he reached the sledge,
and placed himself on the driver's seat.
He was Isay, a peasant of Vasili Andreevich's acquaintance, and
well known as the principal horse-thief in the district.
'Ah, Vasili Andreevich! Where are you off to?' said Isay,
enveloping Nikita in the odour of the vodka he had drunk.
'We were going to Goryachkin.'
'And look where you've got to! You should have gone through
Molchanovka.'
'Should have, but didn't manage it,' said Vasili Andreevich,
holding in the horse.
 Master and Man |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The War in the Air by H. G. Wells: "Wonder 'ow I can get orf this?" he said. "Wonder if there is a
way out? If not... rummy!"
Further reflection decided, "I believe I got myself in a bit of a
'ole coming over that bridge....
"Any'ow--got me out of the way of them Japanesy chaps. Wouldn't
'ave taken 'em long to cut MY froat. No. Still--"
He resolved to return to the point of Luna Island. For a long
time he stood without stirring, scrutinising the Canadian shore
and the wreckage of hotels and houses and the fallen trees of the
Victoria Park, pink now in the light of sundown. Not a human
being was perceptible in that scene of headlong destruction.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memories and Portraits by Robert Louis Stevenson: taming of d'Artagnan the untamable, under the lash of the young
King. What other novel has such epic variety and nobility of
incident? often, if you will, impossible; often of the order of an
Arabian story; and yet all based in human nature. For if you come
to that, what novel has more human nature? not studied with the
microscope, but seen largely, in plain daylight, with the natural
eye? What novel has more good sense, and gaiety, and wit, and
unflagging, admirable literary skill? Good souls, I suppose, must
sometimes read it in the blackguard travesty of a translation. But
there is no style so untranslatable; light as a whipped trifle,
strong as silk; wordy like a village tale; pat like a general's
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Passionate Pilgrim by William Shakespeare: A longing tarriance for Adonis made
Under an osier growing by a brook,
A brook where Adon used to cool his spleen:
Hot was the day; she hotter that did look
For his approach, that often there had been.
Anon he comes, and throws his mantle by,
And stood stark naked on the brook's green brim:
The sun look'd on the world with glorious eye,
Yet not so wistly as this queen on him.
He, spying her, bounced in, whereas he stood:
'O Jove,' quoth she, 'why was not I a flood!'
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