Today's Stichomancy for Sergio Leone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Charmides by Plato:

Dr. Jackson find any such notion as this in Plato or anywhere in ancient philosophy? Is it not an anachronism, gracious to the modern physical philosopher, and the more acceptable because it seems to form a link between ancient and modern philosophy, and between physical and metaphysical science; but really unmeaning?

(5) To this 'Later Theory' of Plato's Ideas I oppose the authority of Professor Zeller, who affirms that none of the passages to which Dr. Jackson appeals (Theaet.; Phil.; Tim.; Parm.) 'in the smallest degree prove his point'; and that in the second class of dialogues, in which the 'Later Theory of Ideas' is supposed to be found, quite as clearly as in the first, are admitted Ideas, not only of natural objects, but of properties,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:

They are sent over to bind and rivet upon us those chains which the British ministry have been so long forging. And what have we to oppose to them? Shall we try argument? Sir, we have been trying that for the last ten years. Have we anything new to offer upon the subject? Nothing. We have held the subject up in every light of which it is capable; but it has been all in vain. Shall we resort to entreaty and humble supplication? What terms shall we find which have not been already exhausted? Let us not, I beseech you, sir, deceive ourselves. Sir, we have done everything that could be done to avert the storm which is now coming on. We have petitioned; we have remonstrated; we have supplicated; we have prostrated ourselves before the throne, and have implored its interposition to arrest the tyrannical hands of the ministry and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Under the Andes by Rex Stout:

placing them in a group on the floor, and just at the tip of the flames placed the granite vessel, supported by four blocks of stone which we pried loose from one of the seats. In the vessel we placed the golden platters.

But we found, after several hours, that we did not have sufficient heat--or rather that the vessel was too thick to transmit it. And again we set to work with our improvised chisels and hammers, to shave off its sides and bottom. That was more difficult and required many hours for completion.

Finally, with the profane portion of our vocabularies completely exhausted and rendered meaningless by repetition, and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sons of the Soil by Honore de Balzac:

"Madame la comtesse has done wonders," said the abbe, full of hope as to the moral progress of his savages. "That old woman did immense damage to your woods, but now she has no time for it; she stays at home and spins from morning till night; her time is all taken up and well paid for."

Peace reigned everywhere. Groison made very satisfactory reports; depredations seemed to have ceased, and it is even possible that the state of the neighborhood and the feeling of the inhabitants might really have changed if it had not been for the revengeful eagerness of Gaubertin, the cabals of the leading society of Soulanges, and the intrigues of Rigou, who one and all, with "the affair" in view, blew