|
The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from The Hidden Masterpiece by Honore de Balzac: with the materials and instruments of his art. Daylight came from a
casement in the roof and fell, focussed as it were, upon a canvas
which rested on an easel in the middle of the room, and which bore, as
yet, only three or four chalk lines. The light thus concentrated did
not reach the dark angles of the vast atelier; but a few wandering
reflections gleamed through the russet shadows on the silvered
breastplate of a horseman's cuirass of the fourteenth century as it
hung from the wall, or sent sharp lines of light upon the carved and
polished cornice of a dresser which held specimens of rare pottery and
porcelains, or touched with sparkling points the rough-grained texture
of ancient gold-brocaded curtains, flung in broad folds about the room
|