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Today's Stichomancy for Shaquille O'Neal

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Goriot by Honore de Balzac:

dining-room, sat between Mme. Vauquer and Mme. Couture, who was nodding over the woolen cuffs that she was knitting by the stove, and looked at Mlle. Taillefer so tenderly that she lowered her eyes.

"Can you be in trouble, M. Eugene?" Victorine said after a pause.

"Who has not his troubles?" answered Rastignac. "If we men were sure of being loved, sure of a devotion which would be our reward for the sacrifices which we are always ready to make, then perhaps we should have no troubles."

For answer Mlle. Taillefer only gave him a glance but it was impossible to mistake its meaning.


Father Goriot
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Astoria by Washington Irving:

These were Carson, St. Michael, and Pierre Delaunay, three of the trappers who, in company with Pierre Detaye, had been left among the mountains by Mr. Hunt, to trap beaver, in the preceding month of September. They had departed from the main body well armed and provided, with horses to ride, and horses to carry the peltries they were to collect. They came wandering into the Snake camp as ragged and destitute as their predecessors. It appears that they had finished their trapping, and were making their way in the spring to the Missouri, when they were met and attacked by a powerful band of the all-pervading Crows. They made a desperate resistance, and killed seven of the savages, but were overpowered

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Drama on the Seashore by Honore de Balzac:

it up, looked at it, and carried it to his wife, who fell down as if dead, seeing her own writing. Cambremer said nothing, but he went to Croisic, and heard that his son was in a billiard room; so then he went to the mistress of the cafe, and said to her:--

"'I told Jacques not to use a piece of gold with which he will pay you; give it back to me, and I'll give you white money in place of it.'

"The good woman did as she was told. Cambremer took the money and just said 'Good,' and then he went home. So far, all the town knows that; but now comes what I alone know, though others have always had some suspicion of it. As I say, Cambremer came home; he told his wife to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Voice of the City by O. Henry:

tests about boundary lines and the neighbors' hens. It is in the cities that our epigram gains in truth and vigor; and it has remained for one John Hopkins to crowd the experience into a rather small space of time.

The Hopkins flat was like a thousand others. There was a rubber plant in one window; a flea- bitten terrier sat in the other, wondering when he was to have his day.

John Hopkins was like a thousand others. He worked at $20 per week in a nine-story, red-brick


The Voice of the City