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Today's Stichomancy for Sharon Stone

The first excerpt represents the past or something you must release, and is drawn from Phaedrus by Plato:

should be too glad to have a clearer description if art could give us one.

PHAEDRUS: What are they?

SOCRATES: First, the comprehension of scattered particulars in one idea; as in our definition of love, which whether true or false certainly gave clearness and consistency to the discourse, the speaker should define his several notions and so make his meaning clear.

PHAEDRUS: What is the other principle, Socrates?

SOCRATES: The second principle is that of division into species according to the natural formation, where the joint is, not breaking any part as a bad carver might. Just as our two discourses, alike assumed, first of all, a single form of unreason; and then, as the body which from being one

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Songs of Innocence and Experience by William Blake:

Into the dangerous world I leapt, Helpless, naked, piping loud, Like a fiend hid in a cloud.

Struggling in my father's hands, Striving against my swaddling bands, Bound and weary, I thought best To sulk upon my mother's breast.

A POISON TREE

I was angry with my friend: I told my wrath, my wrath did end. I was angry with my foe:


Songs of Innocence and Experience
The third excerpt represents the future or something you must embrace, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

natives satisfied, but, what we did not foresee, our own respectability - and incidentally that of our retainers - became assured, and the influence of Tusitala increased tenfold.

After all work and meals were finished, the 'pu,' or war conch, was sounded from the back veranda and the front, so that it might be heard by all. I don't think it ever occurred to us that there was any incongruity in the use of the war conch for the peaceful invitation to prayer. In response to its summons the white members of the family took their usual places in one end of the large hall, while the Samoans - men, women, and children - trooped in through all the open doors, some carrying lanterns if the evening were