| The first excerpt represents the past or something you must release, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll: Soundless as ghost's intended tread:
"If thou art duller than before,
Why quittedst thou the voice of lore?
Why not endure, expecting more?"
"Rather than that," he groaned aghast,
"I'd writhe in depths of cavern vast,
Some loathly vampire's rich repast."
"'Twere hard," it answered, "themes immense
To coop within the narrow fence
That rings THY scant intelligence."
"Not so," he urged, "nor once alone:
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Master and Man by Leo Tolstoy: the devil possessed him.'
Nikita having meanwhile finished his fifth tumbler of tea laid
it on its side instead of turning it upside down, hoping to be
offered a sixth glass. But there was no more water in the
samovar, so the hostess did not fill it up for him. Besides,
Vasili Andreevich was putting his things on, so there was
nothing for it but for Nikita to get up too, put back into the
sugar-basin the lump of sugar he had nibbled all round, wipe
his perspiring face with the skirt of his sheepskin, and go to
put on his overcoat.
Having put it on he sighed deeply, thanked his hosts, said
 Master and Man |
The third excerpt represents the future or something you must embrace, and is drawn from New Arabian Nights by Robert Louis Stevenson: cause for sorrow."
"That," replied Geraldine, "is the American for whom I obtained
permission to travel with your suite."
"You remind me that I have been remiss in courtesy," said Prince
Florizel, and advancing to Silas, he addressed him with the most
exquisite condescension in these words:- "I was charmed, young sir,
to be able to gratify the desire you made known to me through
Colonel Geraldine. Remember, if you please, that I shall be glad
at any future time to lay you under a more serious obligation."
And he then put some questions as to the political condition of
America, which Silas answered with sense and propriety.
|