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Today's Stichomancy for Sigmund Freud

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Market-Place by Harold Frederic:

historical, bookish! His mind had begun to throw open again, to abstract thoughts and musings, its long-closed doors. He had read and dreamed so much as a lad, in the old book-shop! For many years that boyhood of eager concern in the printed page had seemed to him to belong to somebody else. Now, all at once, it came back to him as his own possession; he felt that he could take up books again where he had dropped them, perhaps even with the old rapt, intent zest.

Visions rose before him of the magnificent library he would gather for himself. And it should be in no wise


The Market-Place
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phaedo by Plato:

Quite true, Socrates.

But if the knowledge which we acquired before birth was lost by us at birth, and if afterwards by the use of the senses we recovered what we previously knew, will not the process which we call learning be a recovering of the knowledge which is natural to us, and may not this be rightly termed recollection?

Very true.

So much is clear--that when we perceive something, either by the help of sight, or hearing, or some other sense, from that perception we are able to obtain a notion of some other thing like or unlike which is associated with it but has been forgotten. Whence, as I was saying, one of two

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

and more under the weight of past misfortunes.

When the two couples reached the path which leads to the woods of Aulnay, placed like a crown upon the prettiest hillside in the neighborhood of Paris, and from which the Vallee-aux-Loups is seen in all its coquetry, the beauty of the day, the charm of the landscape, the first spring verdure, the delicious memory of the happiest day of all his youth, loosened the tight chords in Cesar's soul; he pressed the arm of his wife against his beating heart; his eye was no longer glassy, for the light of pleasure once more brightened in it.

"At last," said Constance to her husband, "I see you again, my poor Cesar. I think we have all behaved well enough to allow ourselves a


Rise and Fall of Cesar Birotteau
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

his brutish interest lay securely bound. Before the doorway the sentries sat upon their haunches, conversing in monotones. Within, the young woman lay upon a filthy sleeping mat, resigned, through utter hopelessness to whatever fate lay in store for her until the opportunity arrived which would permit her to free herself by the only means which now seemed even remotely possible--the hitherto detested act of self-destruction.

Creeping silently toward the sentries, a white-burnoosed figure approached the shadows at one end of the hut.


Tarzan and the Jewels of Opar