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Today's Stichomancy for Simon Bolivar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from From the Earth to the Moon by Jules Verne:

took fire instantaneously, and, though very destructive, did not sensibly injure the mouth-piece."

Up to this point Barbicane had kept aloof from the discussion; he left the others to speak while he himself listened; he had evidently got an idea. He now simply said, "Well, my friends, what quantity of powder do you propose?"

The three members looked at one another.

"Two hundred thousand pounds." at last said Morgan.

"Five hundred thousand," added the major.

"Eight hundred thousand," screamed Maston.

A moment of silence followed this triple proposal; it was at


From the Earth to the Moon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Voyage to Abyssinia by Father Lobo:

accommodated with a ship to carry them to Zeila; they were there treated by the check with the same civility which they had met with at Caxume. But the king being informed of their arrival, ordered them to be conveyed to his court at Auxa, to which place they were scarce come before they were thrown by the king's command into a dark and dismal dungeon, where there is hardly any sort of cruelty that was not exercised upon them. The Emperor of Abyssinia endeavoured by large offers to obtain their liberty, but his kind offices had no other effect than to heighten the rage of the king of Zeila. This prince, besides his ill will to Sultan Segued, which was kept up by some malcontents among the Abyssin nobility, who,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays of Travel by Robert Louis Stevenson:

is surely a difference rather of kind than of degree to that unearthly voice of singing that bewails and praises the destiny of man at the touch of the true virtuoso. Even that you may perhaps enjoy; and if you do so you will own it impossible to enjoy it more keenly than here, IM SCHNEE DER ALPEN. A hyacinth in a pot, a handful of primroses packed in moss, or a piece of music by some one who knows the way to the heart of a violin, are things that, in this invariable sameness of the snows and frosty air, surprise you like an adventure. It is droll, moreover, to compare the respect with which the invalids attend a concert, and the ready contempt with which they greet the dinner-time performers. Singing which they would hear with

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Historical Mystery by Honore de Balzac:

is wholly indifferent as to whether the truth be known to the world or not.

"All four of these personages sat down in the boudoir. The lame man undoubtedly closed the door before a word was said; it is even thought that he ran the bolt. It is only persons of high rank who pay attention to such trifles. The three priests had the livid, impassible faces which you all remember. Carnot alone was ruddy. He was the first to speak. 'What is the point to be discussed?' he asked. 'France,' must have been the answer of the Prince (whom I admire as one of the most extraordinary men of our time). 'The Republic,' undoubtedly said Fouche. 'Power,' probably said Sieyes."