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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Complete Angler by Izaak Walton:

Will captivate a greedy mind: And when none bite, I praise the wise Whom vain allurements ne'er surprise.

But yet, though while I fish, I fast, I make good fortune my repast; And "hereunto my friend invite, In whom I more than that delight: Who is more welcome to my dish Than to my angle was my fish.

As well content no prize to take, As use of taken prize to make:

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Great Big Treasury of Beatrix Potter by Beatrix Potter:

sufficient--except that there was wanting just one single skein of cherry-coloured twisted silk.

The tailor came out of his shop at dark. No one lived there at nights but little brown mice, and THEY ran in and out without any keys!

For behind the wooden wainscots of all the old houses in Gloucester, there are little mouse staircases and secret trap-doors; and the mice run

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Iliad by Homer:

noble son of Panthous, with the reins in his hands as he was attending to his horses; he was in the middle of the very thickest part of the fight, doing good service to Hector and the Trojans, but evil had now come upon him, and not one of those who were fain to do so could avert it, for the arrow struck him on the back of the neck. He fell from his chariot and his horses shook the empty car as they swerved aside. King Polydamas saw what had happened, and was the first to come up to the horses; he gave them in charge to Astynous son of Protiaon, and ordered him to look on, and to keep the horses near at hand. He then went back and took his place in the front ranks.


The Iliad
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Far From the Madding Crowd by Thomas Hardy:

looked. She had gone away. With an air between that of Tragedy and Comedy! Gabriel returned to his work. Five mornings and evenings passed. The young woman came regularly to milk the healthy cow or to attend to the sick one, but never allowed her vision to stray in the direction of Oak's person. His want of tact had deeply offended her -- not by seeing what he could not help, but by letting her know that he had seen it. For, as without law there is no sin, without eyes there is no indecorum; and she appeared to feel


Far From the Madding Crowd