The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alexandria and her Schools by Charles Kingsley: Words and thought were to him a field for careful and reverent
induction, as the phenomena of nature are to us the disciples of Bacon.
But with these hapless Megarans, who thought that they had found that
for which Socrates professed only to seek dimly and afar off, and had
got it safe in a dogma, preserved as it were in spirits, and put by in a
museum, the great use of dialectic was to confute opponents. Delight in
their own subtlety grew on them, the worship not of objective truth, but
of the forms of the intellect whereby it may be demonstrated; till they
became the veriest word-splitters, rivals of the old sophists whom their
master had attacked, and justified too often Aristophanes' calumny,
which confounded Socrates with his opponents, as a man whose aim was to
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lin McLean by Owen Wister: that this was because Wyoming's stomach was empty. Altogether I began to
feel almost sorry that I had asked him to come out for a hunt, and had
travelled in haste all the way from Bear Creek to Cheyenne expressly to
meet him.
"For purposes of amusement," he said, "I'll admit anything you claim for
this place. Ranches, cowboys, elk; it's all splendid. Only, as an
investment I prefer the East. Am I to see any cowboys?"
"You shall," I said; and I distinctly hoped some of them might do
something to him "for purposes of amusement."
"You fellows come up with me to my office," said the Governor. "I'll look
at my mail, and show you round." So we went with him through the heat and
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Paz by Honore de Balzac: are hidden within rough shells, lost in the gulf, the sea, the tossing
waves of what we call society, the century, Paris, London, St.
Petersburg,--or what you will.
If the axiom that architecture is the expression of manner and morals
was ever proved, it was certainly after the insurrection of 1830,
during the present reign of the house of Orleans. As all the old
fortunes are diminishing in France, the majestic mansions of our
ancestors are constantly being demolished and replaced by species of
phalansteries, in which the peers of July occupy the third floor above
some newly enriched empirics on the lower floors. A mixture of styles
is confusedly employed. As there is no longer a real court or nobility
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lesser Bourgeoisie by Honore de Balzac: Let us say, in passing, that the meeting with this able administrator,
now become an important personage in the financial world, was an
occasion to the worthy and honest Phellion to display once more his
noble character. At the time of the resignation to which Rabourdin had
felt himself driven, Phellion alone, of all the clerks in the office,
had stood by him in his misfortunes. Being now in a position to bestow
a great number of places, Rabourdin, on meeting once more his faithful
subordinate, hastened to offer him a position both easy and lucrative.
"Mossieu," said Phellion, "your benevolence touches me and honors me,
but my frankness owes you an avowal, which I beg you not to take in
ill part: I do not believe in 'railways,' as the English call them."
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