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Today's Stichomancy for Sofia Vergara

The first excerpt represents the past or something you must release, and is drawn from The Smalcald Articles by Dr. Martin Luther:

that it must not do what it wishes. But if it does what it wishes, the Holy Ghost and faith are [certainly] not present. For St. John says, 1 Ep. 3, 9: Whosoever is born of God doth not commit sin,... and he cannot sin. And yet it is also the truth when the same St. John says, 1 Ep. 1, 8: If we say that we have no sin, we deceive ourselves and the truth is not in us.

IV. Of the Gospel.

We will now return to the Gospel, which not merely in one way gives us counsel and aid against sin; for God is superabundantly rich [and liberal] in His grace [and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

secrecy and sphinx-like nature, than the happily preserved petit fait that under the pillow of his death-bed there was found no "Bible," nor anything Egyptian, Pythagorean, or Platonic--but a book of Aristophanes. How could even Plato have endured life--a Greek life which he repudiated--without an Aristophanes!

29. It is the business of the very few to be independent; it is a privilege of the strong. And whoever attempts it, even with the best right, but without being OBLIGED to do so, proves that he is probably not only strong, but also daring beyond measure. He enters into a labyrinth, he multiplies a thousandfold the dangers which life in itself already brings with it; not the least of


Beyond Good and Evil
The third excerpt represents the future or something you must embrace, and is drawn from Protagoras by Plato:

dawn, so that I could see him): Unless this differs in some way from the former instances, I suppose that he will make a Sophist of me.

By the gods, I said, and are you not ashamed at having to appear before the Hellenes in the character of a Sophist?

Indeed, Socrates, to confess the truth, I am.

But you should not assume, Hippocrates, that the instruction of Protagoras is of this nature: may you not learn of him in the same way that you learned the arts of the grammarian, or musician, or trainer, not with the view of making any of them a profession, but only as a part of education, and because a private gentleman and freeman ought to know them?

Just so, he said; and that, in my opinion, is a far truer account of the