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Today's Stichomancy for Sophia Loren

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

General Taylor; in which case, a few scars on Priscian's head are pardoned to old fellows who have quite as many on their own, and a constituency of thirty empires is not at all particular, provided they do not swear in their Presidential Messages.

However, it is not for me to talk. I have made mistakes enough in conversation and print. I never find them out until they are stereotyped, and then I think they rarely escape me. I have no doubt I shall make half a dozen slips before this breakfast is over, and remember them all before another. How one does tremble with rage at his own intense momentary stupidity about things he knows perfectly well, and to think how he lays himself open to the


The Autocrat of the Breakfast-Table
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Babbitt by Sinclair Lewis:

the Inner Key which were immediately going to transform and bring Peace, Power, and Prosperity to the unhappy nations; and so, friends, would they for this precious gem-studded hour forget the Illusions of the Seeming Real, and in the actualization of the deep-lying Veritas pass, along with Mrs. Opal Emerson Mudge, to the Realm Beautiful.

If Mrs. Mudge was rather pudgier than one would like one's swamis, yogis, seers, and initiates, yet her voice had the real professional note. It was refined and optimistic; it was overpoweringly calm; it flowed on relentlessly, without one comma, till Babbitt was hypnotized. Her favorite word was "always," which she pronounced olllllle-ways. Her principal gesture was a pontifical but thoroughly ladylike blessing with two stubby fingers.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

at the distant boring was entirely shaken to pieces. The exposed metal of the grounded planes and drilling machinery was bruised into a high polish, and two of the small tents were flattened despite their snow banking. Wooden surfaces left out in the blaster were pitted and denuded of paint, and all signs of tracks in the snow were completely obliterated. It is also true that we found none of the Archaean biological objects in a condition to take outside as a whole. We did gather some minerals from a vast, tumbled pile, including several of the greenish soapstone fragments whose odd five-pointed rounding and faint patterns of grouped dots caused so many doubtful comparisons; and some fossil bones, among which


At the Mountains of Madness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Snow Image by Nathaniel Hawthorne:

developed. The kiln, however, on the mountain-side, stood unimpaired, and was in nothing changed since he had thrown his dark thoughts into the intense glow of its furnace, and melted them, as it were, into the one thought that took possession of his life. It was a rude, round, tower-like structure about twenty feet high, heavily built of rough stones, and with a hillock of earth heaped about the larger part of its circumference; so that the blocks and fragments of marble might be drawn by cart-loads, and thrown in at the top. There was an opening at the bottom of the tower, like an over-mouth, but large enough to admit a man in a stooping posture, and provided with a massive iron door. With


The Snow Image